Madurai R. Muralidaran's 'Pushpanjali-Ranjani-Chatusra Jathi Ata' had a release date set for May 14, 2018. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of VivRtti 13 by Madurai R. Muralidaran. The song's track number on the album is #1 out of 6 tracks. Based on our data, Turks and Caicos Islands was the country where this track was produced or recorded. Based on our statistics, Pushpanjali-Ranjani-Chatusra Jathi Ata's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
Since Pushpanjali-Ranjani-Chatusra Jathi Ata by Madurai R. Muralidaran has a tempo of 150 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Pushpanjali-Ranjani-Chatusra Jathi Ata being at 150 BPM, the half-time would be 75 BPM with a double-time of 300 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Veenayiloode | Amarnath Sasidharan, Reshmi Pradeep, Akhila Anil | C Major | 4 | 8B | 120 BPM | ||
| Paalale | Mylai S. Rajendran & Party | D♭ Major | 3 | 3B | 159 BPM | ||
| Nirguname Nee Gunamu | Sarvepalli Sisters | A♭ Major | 2 | 4B | 82 BPM | ||
| Hari Sthothram | Priya Sisters | D Major | 7 | 10B | 151 BPM | ||
| AZHAGANA PAZHANI MALAI ANDAVA | IDHAYAM MUSICALS, RAMYA NANDAKUMAR | C Minor | 7 | 5A | 156 BPM | ||
| Gopiyare Gopiyare | L. R. Eswari | A Major | 7 | 11B | 172 BPM | ||
| Omshree Devadeva | Karan, Harish | G Major | 8 | 9B | 105 BPM | ||
| Pookkatha Poomara Kombil | Levin Muthukad, Hari Muthukad | B♭ Minor | 4 | 3A | 126 BPM | ||
| Thillanas | Madurai R. Muralidaran, Madurai T.Sethuraman | F Minor | 8 | 4A | 95 BPM | ||
| Anjaneyar Pathigam | Rajkumar Bharathi | F Major | 7 | 7B | 114 BPM | ||
| Ayiram Deivangal | Maharajapuram Santhanam | A♭ Minor | 3 | 1A | 97 BPM | ||
| Bhaje Nithyam | Satheesh Kumar | C Major | 6 | 8B | 150 BPM | ||
| Padham-Thalai Aattum Bommai-Mayamalavagowla - Talam - Sankeerna Jathi Dhruva | Madurai R. Muralidaran | D♭ Major | 8 | 3B | 90 BPM | ||
| Padmavati Ramana | Sri Ganapathy Sachchidananda Swamiji | B Major | 7 | 1B | 130 BPM | ||
| Hanumantha Pahi | Narasimha Naik | A♭ Major | 4 | 4B | 171 BPM | ||
| Thillana (Nalina Kanthi) | Madurai R. Muralidaran | F Minor | 8 | 4A | 160 BPM | ||
| Piditha Pathu | SIVA DAMODHARAN AYYA | C Minor | 8 | 5A | 160 BPM | ||
| Kaanarani Konalalo | Muralidhar, Pondhuri Prasad, Veggi Saketh | B Minor | 7 | 10A | 124 BPM | ||
| Suzhandralum | T. L. Maharajan | G Major | 7 | 9B | 82 BPM | ||
| Thillana - Madhuvanthi - Adi | Madurai R. Muralidaran | D♭ Major | 8 | 3B | 90 BPM | ||
| Viduthalai | S. Sowmya | B♭ Minor | 5 | 3A | 138 BPM | ||
| Dasaradhanaar(Odam) | Mylai S. Rajendran & Party | C Minor | 6 | 5A | 99 BPM | ||
| Udukkai Satham | Sanmugavel | A Minor | 8 | 8A | 80 BPM | ||
| Gouri Nandana | Satheesh Kumar | C Major | 6 | 8B | 150 BPM | ||
| Arumugam Arumugam Thiruppugazh | Dr. Shobana Vignesh | D♭ Major | 3 | 3B | 152 BPM |