Dirk Brossé's ' "Het Dansfeest" was released on its scheduled release date, May 2, 2014. With This song being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 1418 De Musical, so we believe that "Het Dansfeest" is a single. Based on our statistics, Het Dansfeest's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Het Dansfeest by Dirk Brossé is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Wardrobe | Harry Gregson-Williams | D♭ Minor | 0 | 12A | 81 BPM | ||
| Beginning of the End Movement VI | The Newton Brothers | A Minor | 1 | 8A | 73 BPM | ||
| Variation 1: I. The Weight of Responsibility | Matthew Slater, London Metropolitan Orchestra | F Minor | 5 | 4A | 180 BPM | ||
| Prologue (from Bobby) | Mark Isham, Brussells Philharmonic, Dirk Brossé | D Major | 2 | 10B | 54 BPM | ||
| Arrival at Aslan's How | Harry Gregson-Williams | F♯ Major | 2 | 2B | 74 BPM | ||
| Tim's Eyes | Angelo Milli | B Minor | 0 | 10A | 105 BPM | ||
| Opening | Craig Armstrong | D Minor | 2 | 7A | 91 BPM | ||
| Suite (from "Young Indiana Jones and the Hollywood Follies") - Suite | Laurence Rosenthal, Dirk Brossé, Brussels Philharmonic | G Major | 2 | 9B | 138 BPM | ||
| Downton Abbey - The Suite - From “Downton Abbey” Soundtrack | The Chamber Orchestra Of London | A Minor | 3 | 8A | 82 BPM | ||
| Perdidos Sin Respuesta | Las Guerreras | A Minor | 3 | 8A | 101 BPM | ||
| Star Wars: Attack of the Clones: Across the Stars | Royal Philharmonic Orchestra | C Minor | 2 | 5A | 82 BPM | ||
| The Armstrongs | Justin Hurwitz | G Minor | 2 | 6A | 120 BPM | ||
| Mi Buenos Aires Querido | Orquesta De Tangos Argentina, Brussels Philharmonic, Dirk Brossé, Manu Comté | C Major | 4 | 8B | 129 BPM | ||
| The Cave Of Swimmers | Academy of St. Martin in the Fields, Gabriel Yared | C Major | 2 | 8B | 87 BPM | ||
| King's Cross | Amelia Warner | D Minor | 3 | 7A | 109 BPM | ||
| Les trois collines | Laurent Boutonnat | B♭ Minor | 2 | 3A | 66 BPM | ||
| River Crossing / Talk About Suffering / The Wicked Flee (From "True Grit") | Brussells Philharmonic, Dirk Brossé | B♭ Major | 4 | 6B | 67 BPM | ||
| Plus Que Ma Prope Vie | Carter Burwell | C Minor | 1 | 5A | 74 BPM | ||
| The Lady In Blue | Patrick Doyle | G Major | 2 | 9B | 168 BPM | ||
| Geppetto Creates | Jan A.P. Kaczmarek | A Minor | 3 | 8A | 108 BPM | ||
| Eli's Theme | Johan Söderqvist | F Minor | 2 | 4A | 76 BPM | ||
| Keep Moving | Dirk Brossé, Brussels Philharmonic | A Minor | 2 | 8A | 92 BPM | ||
| Ten Aanval…!' | 1418 | G Major | 3 | 9B | 130 BPM | ||
| Dance Rehearsal | Jan A.P. Kaczmarek | A Minor | 2 | 8A | 140 BPM | ||
| Carnival of the Animals: The Swan - Arranged for Cello and Harp by Miriam Keogh | Camille Saint-Saëns, None, Sebastian Comberti, Miriam Keogh | G Major | 1 | 9B | 123 BPM |