On July 12, 2015, the song "Nareyana Harasu" was released by Ananthkumar, Varudha. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 6 in the song's album "Suprabhata". In this album, this song's track order is #4. Furthermore, we believe that the track originated from India. Based on our statistics, Nareyana Harasu's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Nareyana Harasu by Ananthkumar, Varudha having a BPM of 143 with a half-time of 72 BPM and a double-time of 286 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dheera Maruthi | Kaundinya Achutuni | F Minor | 9 | 4A | 130 BPM | ||
| Pagai Kadithal | Veeramanidasan | G Major | 7 | 9B | 171 BPM | ||
| Nambidora Mane | M. S. Ravigowda, B. Jayashree, Nandita | C Major | 6 | 8B | 118 BPM | ||
| Chooda Chakkani | Prasad | C Minor | 5 | 5A | 100 BPM | ||
| Maleyeri Bandevu | M. S. Ravigowda, B. Jayashree, Nandita | B Minor | 5 | 10A | 180 BPM | ||
| Shukravarapu Seva | Sulochana Pattabhi Raman, Sulakshana Rajagopal, Prema Hariharan, Shyamala Venkatesan, Shyamala Jayaraman, Soundaram Krishnan | E♭ Major | 7 | 5B | 177 BPM | ||
| Thappugalella Pariharisuva | Anantha Kulkarni | D♭ Major | 4 | 3B | 129 BPM | ||
| Chandrasekhara Chandrasekhara - Shiva | Nandamuri Raja | B Major | 3 | 1B | 100 BPM | ||
| Vaaradali Shubha Vaara | B.K. Sumitra | A Major | 7 | 11B | 158 BPM | ||
| Thande Thayi | C. Ashwath, B. Jayashri | F Major | 5 | 7B | 180 BPM | ||
| Sri Lalitha Prathah Sharanam | Satyadev Janga, Padmaja Srinivas | E Major | 4 | 12B | 134 BPM | ||
| Gayathri Mahima Stothram | Priya Sisters | B Minor | 5 | 10A | 79 BPM | ||
| Intha Gurugla Kaane | Anantha Kulkarni | B♭ Major | 5 | 6B | 100 BPM | ||
| Brahma Murari | D.V. Ramani, Maruthi Mirajkar, Sri Chandra, Pashupati Prasad Goturi, Murali Krishna, Prashanth Kukukke, Sharath Bilinele, Ramesh Chandra | D Minor | 8 | 7A | 105 BPM | ||
| Trimoorthi Roopa - Version 1 | Ananthkumar | F♯ Major | 5 | 2B | 169 BPM | ||
| Ashtalakshmi Kavacham | Ramana, Vijayalakshmi Sarma | D Major | 4 | 10B | 122 BPM | ||
| Endendu Ninna Paadave | Sheshagiridas Raichur | A Major | 6 | 11B | 98 BPM | ||
| Thande Thayigalesto (Dhaniya Nodideno) | Mysore Ramachandrachar | E♭ Minor | 6 | 2A | 159 BPM | ||
| Bettada Melondu Maneya | K. Yuvaraj | C Minor | 6 | 5A | 132 BPM | ||
| Sokaapahaari | K.S.Deekshith, Samavadam Shanmuga Sharma, S. P. Sailaja | E Major | 4 | 12B | 134 BPM | ||
| Adivo Alladivo | B.Ramana | G Minor | 8 | 6A | 99 BPM | ||
| Venkata Nadaya | Parupalli Ranganath | G Major | 5 | 9B | 164 BPM | ||
| Baaro Manake | Sri Vidyabhushana | G Major | 6 | 9B | 88 BPM | ||
| Paluke Bangaramayena | Parupalli Sri Ranganath | D Minor | 5 | 7A | 117 BPM | ||
| Kande Kande Vadirajara | Sheshagiri Das Raichur | E♭ Major | 6 | 5B | 106 BPM |