Héctor Rojas's ' "Cuatro danzas mexicanas: IV" was released on its scheduled release date, 1998. With This song being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Hector Rojas's "Manuel M. Ponce Obra Completa para Piano" album is number 35 out of 186. On top of that, Mexico appears to be the country where this track was created. The popularity of Cuatro danzas mexicanas: IV is currently unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Cuatro danzas mexicanas: IV by Héctor Rojas to be Presto (very, very fast) because the track has a tempo of 200 BPM, a half-time of 100BPM, and a double-time of 400 BPM. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite Buenos Aires: No. 3, San Telmo | Maximo Diego Pujol, Csaba Szabo, Accord Quartet | E Minor | 2 | 9A | 99 BPM | ||
| Prelude (for Olga) | Gerald Garcia | A Minor | 0 | 8A | 76 BPM | ||
| Lieder ohne Worte I, Op. 19b: VI. Andante sostenuto "Venetian Gondola Song", MWV U78 (Arr. Ottensamer for Clarinet & Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | G Minor | 0 | 6A | 84 BPM | ||
| Lieder ohne Worte (Songs without Words), Book 7, Op. 85: Song without Words, Op. 85, No. 2 | Felix Mendelssohn, Gerald Garcia | G Major | 1 | 9B | 99 BPM | ||
| Prélude, Op. 10 | Mel Bonis, Rosie Bennet | A Major | 0 | 11B | 73 BPM | ||
| Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
| 12 Danzas Españolas, Op. 37: 5. Andaluza | Enrique Granados, Xavier De Maistre, Lucero Tena | E Minor | 1 | 9A | 151 BPM | ||
| Un Dia de Noviembre | Leo Brouwer, Thibault Cauvin | A Minor | 1 | 8A | 97 BPM | ||
| Keyboard Sonata in F Minor, Kk. 466 - Upright Version | Domenico Scarlatti, Julius Asal | E♭ Major | 0 | 5B | 68 BPM | ||
| 楊雪霉 | Xuefei Yang | E Minor | 3 | 9A | 99 BPM | ||
| Suite In D Major: I. Preambule | Adam Holzman, Manuel Ponce | D Major | 1 | 10B | 94 BPM | ||
| Apariciones: Valses Romanticos: Sensitive | Enrique Granados, Douglas Riva | C Minor | 0 | 5A | 143 BPM | ||
| Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
| Marchita el Alma … | Manuel Ponce, Jorge Federico Osorio | E♭ Major | 0 | 5B | 69 BPM | ||
| Romeo and Juliette, Op. 64 (Arr. for Viola and Piano by Vadim Borisovsky, Orchestration for Viola and String Orchestra by François Vallières): Introduction | Sergei Prokofiev, Elvira Misbakhova, I Musici de Montréal, Jean-François Rivest | D Major | 1 | 10B | 99 BPM | ||
| Schluss | Fanny Mendelssohn, Heather Schmidt | E Major | 1 | 12B | 87 BPM | ||
| Elegie: Elegy | Johann Kaspar Mertz, Gabriel Bianco | A Minor | 0 | 8A | 133 BPM | ||
| Nocturno | Federico Moreno Torroba, Orquesta Sinfónica De Radio Hamburgo, Ferdinand Canonovich | A Major | 2 | 11B | 92 BPM | ||
| Brahms: 6 Piano Pieces, Op. 118: No. 2, Intermezzo in A Major | Johannes Brahms, Martin James Bartlett | B♭ Major | 1 | 6B | 129 BPM | ||
| Suite in D major: IV. Gavotte I | Adam Holzman, Manuel Ponce | D Major | 0 | 10B | 73 BPM | ||
| Suite del Plata, No. 1: Preludio | Maximo Diego Pujol, Victor Villadangos | D Minor | 0 | 7A | 107 BPM | ||
| Debussy: Préludes, Livre I, CD 125, L. 117: No. 8, La fille aux cheveux de lin (Transc. Cáceres for Two Guitars) | Claude Debussy, Turibio Santos, Oscar Caceres | A Major | 0 | 11B | 73 BPM | ||
| Bartók / Transc Cáceres: Romanian Folk Dances, Sz. 56: No. 3, Pe loc | Béla Bartók, Turibio Santos, Oscar Caceres | C Major | 1 | 8B | 75 BPM | ||
| Prélude (Arr. Lewin for 2 Guitars) | Olivia Belli, Alexandra Whittingham, Plínio Fernandes | C Minor | 1 | 5A | 149 BPM | ||
| Cavatina (Arr. for Guitar by Sérgio Assad) - From "The Deer Hunter" | Stanley Myers, Plínio Fernandes | E Major | 1 | 12B | 95 BPM |