Traditional, Jaleo's ' "Soleá por Bulería (Live)" was released on its scheduled release date, January 1, 2006. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Traditional, Jaleo's "Jaleo: Flamenco Live" album is number 1 out of 6. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Soleá por Bulería (Live)'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Soleá por Bulería (Live) by Traditional, Jaleo to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| O viridissima virga | Hildegard von Bingen, Chloe Flower, English National Opera Chorus, Jessica Cottis, James Hawkins, Academy of St. Martin in the Fields | D♭ Major | 5 | 3B | 138 BPM | ||
| Jesu, Joy Of A Man's Desiring - Prelude To Joy Album Version | Traditional, David Davidson | D Major | 5 | 10B | 98 BPM | ||
| Silent, Surrendered | Margaret Rizza, Kevin Mayhew Ltd | D Major | 1 | 10B | 112 BPM | ||
| Dehn Er Hat Seinen | The American Boychoir | A♭ Major | 3 | 4B | 81 BPM | ||
| Victor C. Johnson: Pie Iesu | Victor C. Johnson, Chór Katedry Warszawsko-Praskiej Musica Sacra, Łukasz Farcinkiewicz, Paweł Łukaszewski | D Major | 1 | 10B | 97 BPM | ||
| Noc Cicha We Śnie | Chór Mariański | C Minor | 3 | 5A | 180 BPM | ||
| Bells of St. Mary's (arr. for Handbells by Grosmont Handbell Ringers) | Traditional, Grosmont Handbell Ringers | B Major | 0 | 1B | 85 BPM | ||
| Rorate caeli desuper | Schola Antiqua, Schola Gregoriana Hispana | F♯ Major | 1 | 2B | 137 BPM | ||
| St Anne’s Mass: III. Sanctus | James MacMillan, Cappella Nova, Alan Tavener | D Major | 1 | 10B | 76 BPM | ||
| All My Hope on God Is Founded | The Choir of Trinity College, Melbourne, Australian Chamber Brass, Jonathan Bradley, Michael Leighton Jones | F Major | 3 | 7B | 85 BPM | ||
| Let My Life Be Worship | Soaking Worship, Instrumental Worship and Prayer, Soaking in his Presence, Worship Pads | F Major | 0 | 7B | 68 BPM | ||
| Wunderbare Freude! Wunderbare Nacht! | Jean Clanché, Stuttgarter Hymnus-Chorknaben, Rainer Johannes Homburg, Kay Johannsen | G Major | 4 | 9B | 96 BPM | ||
| The Owl | Toby Young, Apollo5 | F Major | 2 | 7B | 103 BPM | ||
| To Dionysus | The Rosslyn Singers, Mary Oliver | E Major | 2 | 12B | 77 BPM | ||
| St. Lawrence, Jewry: Spliced Surprise Major | Traditional, Bell Ringing Teams | B♭ Minor | 3 | 3A | 99 BPM | ||
| Elgar: Ave Verum Corpus | Edward Elgar, Choir of New College, Oxford, Edward Higginbottom | G Major | 2 | 9B | 172 BPM | ||
| Wenn ich ein Glöcklein wär | Cantilon Chamber Choir | D Major | 0 | 10B | 81 BPM | ||
| Alleluia: III. Night | Valentin Silvestrov, Kārlis Rūtentāls, Latvian Radio Choir, Sigvards Kļava | D Major | 0 | 10B | 84 BPM | ||
| Missa Jubilate Deo: Agnus Die | Johann Stadlmayr, Roswitha Schmelzl, Andrea Lauren Brown, Gert Hohmann, Robert Sellier, Manuel Warwitz, Matthias Winckhler, Munich Orpheus Choir, Les Cornets Noirs, Gerd Guglhör | E Minor | 1 | 9A | 68 BPM | ||
| Morning Has Broken | Siobhán Stagg, The Choir of Trinity College, Melbourne, Jonathan Bradley, Michael Leighton Jones | C Major | 1 | 8B | 108 BPM | ||
| Ideo Gloria | Lydia McCauley | D Major | 3 | 10B | 119 BPM | ||
| Love Is Come Again | Traditional, The Monteverdi Choir, John Eliot Gardiner | B♭ Major | 3 | 6B | 116 BPM | ||
| Salve, Regina | Hermannus Contractus, Liber Cantualis, Randall DeBruyn, Paul F. Ford | F Major | 1 | 7B | 86 BPM | ||
| Requiem for the Living: V. Lux Aeterna | Providence Singers, Christine Noel, Kilian Mooney | G Major | 1 | 9B | 86 BPM | ||
| A Prayer | Richard Harvey, Estonian Philharmonic Chamber Choir, Heli Jürgenson | A Major | 1 | 11B | 82 BPM |