Charlo, Francisco Canaro Y Su Orquesta Tipica's ' "Linyera" was released on its scheduled release date, January 6, 2015. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Francisco Canaro Y Su Orquesta Tipica's "Los Reyes del Tango: Francisco Canaro – Buenos Aires 1927-1938 (2014 Digital Remaster)" album is number 10 out of 22. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Linyera is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Linyera by Charlo, Francisco Canaro Y Su Orquesta Tipica to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Porque La Quise Tanto | Miguel Montero, Mariano Mores | A Minor | 2 | 8A | 85 BPM | ||
| Samaritana | Los Provincianos | C Minor | 4 | 5A | 89 BPM | ||
| El Serenata del Roncador | MANSUETA LA GRASA | A Minor | 4 | 8A | 122 BPM | ||
| Los Largos Del Pibe | Osvaldo Pugliese y su Orquesta | F Minor | 3 | 4A | 109 BPM | ||
| Sin Estrellas | Nina Miranda, Donato Racciatti y Su Orquesta Típica | A Minor | 5 | 8A | 126 BPM | ||
| Sonata | Agustin Magaldi | F♯ Major | 8 | 2B | 118 BPM | ||
| Cuando Estaba Enamorado | Francisco Lomuto | A Minor | 4 | 8A | 122 BPM | ||
| Caminito | Hugo Del Carril | D Major | 2 | 10B | 116 BPM | ||
| Las Cuarenta | Charlo | A Minor | 4 | 8A | 122 BPM | ||
| El Despertar del Barrio | MANSUETA LA GRASA | A Minor | 4 | 8A | 122 BPM | ||
| Somos Como Somos | Eladia Blazquez | C Major | 3 | 8B | 81 BPM | ||
| Casas Viejas | Francisco Canaro Y Su Orquesta Tipica, Juan Carlos Rolón | E Major | 2 | 12B | 127 BPM | ||
| Y Asi Nacio Este Tango | Domingo Federico | A Minor | 4 | 8A | 122 BPM | ||
| La Que Murió en París - Remasterizado | Ignacio Corsini | E♭ Major | 1 | 5B | 132 BPM | ||
| Junto a tu corazón - Estilo Carlos Di Sarli | SEXTETO VISCERAL | B Minor | 3 | 10A | 123 BPM | ||
| Sacachispas | Julio De Caro, Luis Díaz | D Major | 6 | 10B | 98 BPM | ||
| Vos y Yo Corazón | Héctor Varela | A Minor | 6 | 8A | 96 BPM | ||
| Paciencia - Remastered | Héctor Varela, Rodolfo Lesica | A Major | 3 | 11B | 130 BPM | ||
| Reliquias porteñas 2 - Remastered | Francisco Canaro Y Su Orquesta Tipica | F♯ Minor | 4 | 11A | 106 BPM | ||
| Luna Partía | WUILY AND | A Minor | 4 | 8A | 122 BPM | ||
| Cobardía | Charlo | A Minor | 4 | 8A | 122 BPM | ||
| Vieja esquina | Ricardo Tanturi y Enrique Campos | C Major | 4 | 8B | 121 BPM | ||
| No Hay Que Hacerse Mala Sangre | Orquesta Francisco Canaro | D Major | 2 | 10B | 123 BPM | ||
| Y Todavía Te Quiero (with Rodolfo Lesica) | Héctor Varela y su Orquesta Típica, Rodolfo Lesica | A Minor | 5 | 8A | 130 BPM | ||
| Corazon no le digas a nadie | Enrique Munne, Horacio Quintana, Orquesta Lucio Demare | A Minor | 2 | 8A | 119 BPM |