"Double Quigley" by Rael Jones had its release date on May 19, 2017. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Rael Jones's "Harlots (Original Television Soundtrack)" album is number 50 out of 54. On top of that, United Kingdom appears to be the country where this track was created. Double Quigley is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Double Quigley by Rael Jones to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Circular Argument | Peter Gregson, Rael Jones | F Minor | 3 | 4A | 86 BPM | ||
| Erizando La Piel | Sirenas Celestiales | G Minor | 2 | 6A | 140 BPM | ||
| A Travers En Ville | Jonathan Grow | G Major | 3 | 9B | 81 BPM | ||
| The Golden Chamber | Chris Egan, Samuel Sim | F Minor | 1 | 4A | 118 BPM | ||
| Brideshead Revisited: No. 12, The Lido | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | D Minor | 2 | 7A | 139 BPM | ||
| Arrival of Little Knightleys | Samuel Sim | A♭ Major | 1 | 4B | 179 BPM | ||
| Alone in Victory | Michael Price, Rael Jones | A♭ Major | 4 | 4B | 74 BPM | ||
| First Impressions | Adrian Johnston | F Major | 0 | 7B | 130 BPM | ||
| The Vilest Sin | Rael Jones | F♯ Major | 5 | 2B | 156 BPM | ||
| Being Seen is Everything | Rael Jones | D Major | 5 | 10B | 104 BPM | ||
| Tim's First Time | Paul Leonard-Morgan | C Major | 0 | 8B | 80 BPM | ||
| The Space Boléro | Yoann Garel | C Major | 1 | 8B | 81 BPM | ||
| Love At Last | Jordan Seigel | A♭ Major | 1 | 4B | 120 BPM | ||
| Pino Grigio on Ice | Pinar Toprak | D Major | 1 | 10B | 120 BPM | ||
| Betty and Harry | Terry Davies, Betty O'Barley, Harry O'Hay | E Major | 1 | 12B | 102 BPM | ||
| Belize | Hannes De Maeyer, Ruben de Gheselle | D♭ Minor | 1 | 12A | 148 BPM | ||
| 4-50 from Paddington - Railways | Dominik Scherrer | F♯ Minor | 4 | 11A | 140 BPM | ||
| The Great Tree | Christopher Willis | E Minor | 2 | 9A | 75 BPM | ||
| Adriano and Paolas Theme | Paolo Vivaldi | A Minor | 4 | 8A | 108 BPM | ||
| Grace, Instict, Courage | Kostas Christides | C Major | 1 | 8B | 72 BPM | ||
| We Will Never Know | Mario Malagnini | E Minor | 1 | 9A | 71 BPM | ||
| Dad's Advice | William Ross | D♭ Major | 0 | 3B | 137 BPM | ||
| Danielle's Wings | George Fenton | B♭ Major | 1 | 6B | 88 BPM | ||
| Climbing The Wall | Dario Marianelli | D Major | 1 | 10B | 80 BPM | ||
| Oscar's Secret | Harry Gregson-Williams, Rupert Gregson-Williams | F♯ Minor | 2 | 11A | 170 BPM |