"Death Train to Ashby-De-La-Zouch" by October Second had its release date on February 8, 2019. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 7 out of 10 in Flesh by October Second. Based on our statistics, Death Train to Ashby-De-La-Zouch's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Death Train to Ashby-De-La-Zouch by October Second is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 當海潮湧向礁岩 Rolling Waves | Cicada | G Minor | 3 | 6A | 151 BPM | ||
| Hibernate | Antonymes | A Minor | 0 | 8A | 69 BPM | ||
| Latent Sonata | Brian McBride | A Major | 0 | 11B | 134 BPM | ||
| Mu 1 | α·Pav | E Major | 2 | 12B | 97 BPM | ||
| deep under | Sawako | C Major | 1 | 8B | 132 BPM | ||
| Nepenthe | Eluvium | A Major | 2 | 11B | 69 BPM | ||
| Whiteland | Chihei Hatakeyama | C Major | 0 | 8B | 69 BPM | ||
| An Obedient Ear | Olan Mill | G Major | 1 | 9B | 130 BPM | ||
| Before The Sabbath | Chihei Hatakeyama | A♭ Major | 2 | 4B | 72 BPM | ||
| Scarlet Stone | Chihei Hatakeyama | A♭ Major | 2 | 4B | 72 BPM | ||
| D. | October Second | C Major | 0 | 8B | 71 BPM | ||
| Mélodrames télégraphiés (In B Major 7th), Part 1 | Brian McBride | B Major | 1 | 1B | 67 BPM | ||
| Vast Expanses, Passing Glances | October Second | G Minor | 4 | 6A | 56 BPM | ||
| No Umbrella | Polar | C Major | 2 | 8B | 172 BPM | ||
| Being Air | Sonicbrat | C Major | 1 | 8B | 61 BPM | ||
| Loose Shadows | Amiro Vale | C Major | 2 | 8B | 172 BPM | ||
| I'm Going Home | Melodyan | F♯ Major | 0 | 2B | 73 BPM | ||
| Superstringhe | Ignoto Uno | A Minor | 5 | 8A | 140 BPM | ||
| The Sailor | The Album Leaf | A Major | 3 | 11B | 141 BPM | ||
| Toward You | Helios | D Major | 3 | 10B | 116 BPM | ||
| Paper Dawn | Taylor Deupree | F♯ Major | 1 | 2B | 70 BPM | ||
| Son of the Snakes | Ambrose De Luna | G Major | 7 | 9B | 143 BPM | ||
| Counting Stars | Venisa Lefos | D♭ Minor | 0 | 12A | 174 BPM | ||
| 夜想 1-I | Ironomi | D♭ Major | 0 | 3B | 87 BPM | ||
| Channel 57/58 | October Second | G Major | 2 | 9B | 120 BPM |