On July 6, 2016, the song "Faux Real" was released by Marco Bianchi Vibes 4tet. With This song being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Marco Bianchi Vibes 4tet's "Keep Calm and Dixieland" album is number 6 out of 14. On top of that, Italy appears to be the country where this track was created. In terms of popularity, Faux Real is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Faux Real by Marco Bianchi Vibes 4tet to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Blues for Jimmy Noone | Kid Ory's Creole Jazz Band | B Major | 4 | 1B | 131 BPM | ||
| Fariboles | Alix Combelle | B♭ Major | 4 | 6B | 106 BPM | ||
| Dicty blues | The Veterinary Street Jazz Band | E♭ Major | 3 | 5B | 132 BPM | ||
| Vine Street Boogie | Jay McShann, Milt Buckner | D Minor | 5 | 7A | 146 BPM | ||
| Hop, Skip And Jump | Engelbert Wrobel | C Major | 3 | 8B | 172 BPM | ||
| New Orleans Stomp | Adrian Cox, Honey Boulton, Alex Gilson | D Minor | 3 | 7A | 127 BPM | ||
| Woodchopper's Ball | Andrej Hermlin and his Swing Dance Orchestra | F Minor | 4 | 4A | 165 BPM | ||
| Get Rhythm In Your Feet | Michael Gamble & The Rhythm Serenaders | F Major | 4 | 7B | 185 BPM | ||
| Searing Blues | Jean-Pierre Bertrand, Frank Muschalle, Dani Gugolz, Peter Müller | F Major | 3 | 7B | 125 BPM | ||
| Just A Closer Walk With Thee | Monty Sunshine | B♭ Major | 4 | 6B | 80 BPM | ||
| Midnight Waltz of the Gypsies | Gypsy Swing Revue, Gypsy Jazz Caravan, Gypsy Jaz Mue-Zik, Cavendish Music | E Minor | 4 | 9A | 119 BPM | ||
| Main Stem | Blue Harlem | D♭ Major | 8 | 3B | 130 BPM | ||
| Oh, Lady Be Good! | Michael Gamble & The Rhythm Serenaders | G Minor | 2 | 6A | 170 BPM | ||
| Creepin' Can-Can | Pee Wee Hunt | A♭ Major | 7 | 4B | 208 BPM | ||
| Why Did You That to Me | Jean-Pierre Bertrand, Frank Muschalle, Dani Gugolz, Peter Müller | C Major | 5 | 8B | 139 BPM | ||
| Buttermilk Rag | Jazzbanausen | A Minor | 7 | 8A | 120 BPM | ||
| Things Are Getting Better | Joscho Stephan, Matthias Strucken | C Major | 4 | 8B | 124 BPM | ||
| Long Tall Mama | The Solomon Douglas Swingtet | D♭ Major | 4 | 3B | 203 BPM | ||
| Low Notes in the Rearview | oAo ~ Penguin Jazz ~ | F Major | 5 | 7B | 96 BPM | ||
| Blaze Away | Mr. Acker Bilk & His Paramount Jazz Band | C Minor | 3 | 5A | 204 BPM | ||
| Les Copains D'abord | Cantovano and His Orchestra | D Minor | 6 | 7A | 186 BPM | ||
| Lucky Shuffle | Jean-Pierre Bertrand, Frank Muschalle, Dani Gugolz, Peter Müller | G Major | 6 | 9B | 154 BPM | ||
| Yesterdays | Floyd Cramer | A Minor | 3 | 8A | 94 BPM | ||
| Lazy Boogie | Jan Preston | F Major | 2 | 7B | 143 BPM | ||
| Blues My Naughty Sweetie Gives to Me | Evan Christopher, Koen De Cauter, David Paquette | G Minor | 2 | 6A | 116 BPM |