Wendy Rene's 'What Will Tomorrow Bring' had a release date set for February 10, 2012. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. What Will Tomorrow Bring's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 22 in After Laughter Comes Tears: Complete Stax & Volt Singles + Rarities (1964-65) by Wendy Rene. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, What Will Tomorrow Bring's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of What Will Tomorrow Bring by Wendy Rene is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Footsteps On The Roof | The Shangri-Las | D Major | 7 | 10B | 121 BPM | ||
| Left Over Love | Mable John | D♭ Major | 2 | 3B | 77 BPM | ||
| Make Up Your Mind | Anna King | C Major | 1 | 8B | 184 BPM | ||
| Have a Little Mercy | Jean Wells | E♭ Major | 5 | 5B | 147 BPM | ||
| Maybe | The Shangri-Las | G Major | 6 | 9B | 94 BPM | ||
| Outcast | Eddie & Ernie | F Major | 3 | 7B | 114 BPM | ||
| He Don't Belong to Me | Doris Troy | B♭ Minor | 3 | 3A | 87 BPM | ||
| Since I Fell For You | Fontella Bass | G Major | 3 | 9B | 105 BPM | ||
| Gone! The Promises Of Yesterday | The Mad Lads | F Minor | 4 | 4A | 96 BPM | ||
| I Hate I Walked Away | Syl Johnson | F Minor | 5 | 4A | 148 BPM | ||
| I Really Love You | Dee Dee Sharp | D Major | 6 | 10B | 88 BPM | ||
| One Way Street | Little Ann | D Minor | 7 | 7A | 99 BPM | ||
| The Truth Hurts | Garnet Mimms & The Enchanters | G Major | 3 | 9B | 80 BPM | ||
| Concrete Reservation | Syl Johnson | A Minor | 7 | 8A | 90 BPM | ||
| Let Somebody Love Me | David Ruffin | D Major | 6 | 10B | 79 BPM | ||
| I'm Not Your Regular Woman | Lucille Mathis | B♭ Minor | 7 | 3A | 125 BPM | ||
| Trouble | Brenton Wood | D Major | 4 | 10B | 97 BPM | ||
| What's A Matter Baby (Is It Hurting You) | Timi Yuro | A Major | 8 | 11B | 113 BPM | ||
| Where Is Love? | The Equatics | C Major | 5 | 8B | 130 BPM | ||
| If You Want Me | Carolyn Franklin | F♯ Major | 7 | 2B | 81 BPM | ||
| Throw It Out of Your Mind | Timmy Shaw | D♭ Major | 3 | 3B | 94 BPM | ||
| I Love the Way You Love | Betty Wright | E Minor | 4 | 9A | 107 BPM | ||
| If I Knew | Yvonne Fair | B Minor | 4 | 10A | 71 BPM | ||
| You Are Mine | Jay Robinson | A Major | 4 | 11B | 123 BPM | ||
| Some Things You Never Get Used To | Irma Thomas | C Minor | 4 | 5A | 93 BPM |