"Arrival" by Jesper Kyd had its release date on 2014. The duration of This song is about 3 minutes long, at 3:27. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 31 in Borderlands: The Pre-Sequel (The Soundtrack) by Jesper Kyd. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Arrival is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Arrival by Jesper Kyd is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Arid Euphony | monomer | E♭ Major | 8 | 5B | 95 BPM | ||
| Alien Influence (Area 51) | Alexander Brandon | D♭ Major | 9 | 3B | 120 BPM | ||
| Daylight | Big Giant Circles | E Minor | 5 | 9A | 130 BPM | ||
| A Speech On Earth | Guillaume David | A♭ Minor | 6 | 1A | 73 BPM | ||
| The Clubbing of Isaac (Big Giant Circles Remix) | Big Giant Circles, Danny Baranowsky | E Minor | 9 | 9A | 150 BPM | ||
| The Creatures of Floodmoor Basin | Jesper Kyd | F Minor | 6 | 4A | 140 BPM | ||
| Sudden Trouble | Cliff Martinez | F Major | 7 | 7B | 120 BPM | ||
| Spikers Inbound | Lauren Pham | G Major | 4 | 9B | 141 BPM | ||
| Built to Kill | Oleksa Lozowchuk | D♭ Minor | 3 | 12A | 83 BPM | ||
| Low Life on the Highway | Battlejuice | C Major | 9 | 8B | 125 BPM | ||
| Swarm Down | Audiomachine | D Major | 8 | 10B | 130 BPM | ||
| Lost | Chris D'Ambrosio | C Major | 2 | 8B | 45 BPM | ||
| Air Ride | Hybrid | D Major | 7 | 10B | 170 BPM | ||
| Cities of Tomorrow | Chris Tilton | A♭ Major | 3 | 4B | 120 BPM | ||
| On My Own | Aram Shahbazians, Daniel Giagnorio | A♭ Major | 8 | 4B | 145 BPM | ||
| Corpus Greed | Keith Power | B♭ Minor | 4 | 3A | 190 BPM | ||
| Dock Wrecks | Ola Strandh | G Major | 8 | 9B | 94 BPM | ||
| Devil N' Bass (Ch 4 Dark World) | Danny Baranowsky | D Minor | 10 | 7A | 180 BPM | ||
| Vog Chamber - Original OST | Sascha Dikiciyan, Cris Velasco | E Minor | 5 | 9A | 120 BPM | ||
| Heart of the Swarm | Neal Acree, Cris Velasco, StarCraft, Blizzard Entertainment | D Major | 4 | 10B | 135 BPM | ||
| The Forge Forgives You Not | Doseone | F♯ Major | 10 | 2B | 130 BPM | ||
| Quantum Spawn | ELFL | D♭ Major | 8 | 3B | 95 BPM | ||
| Where There Is Darkness | Paul Leonard-Morgan | A Major | 4 | 11B | 128 BPM | ||
| Typhon Voices | Mick Gordon | D Major | 4 | 10B | 100 BPM | ||
| Brusher Patrol | Darren Korb | G Major | 10 | 9B | 170 BPM |