"Francesca da Rimini, Op. 4, Act III, Scene 4: O dama, non ti disperare! (Smaragdi, Adonella, Biancofiore, Garsenda)" by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Lorena Espina, Jaroslava Horska, Anita Bader, Tunde Franko had its release date on 1994. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Francesca da Rimini, Op. 4, Act III, Scene 4: O dama, non ti disperare! (Smaragdi, Adonella, Biancofiore, Garsenda)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Zandonai: Francesca da Rimini by Riccardo Zandonai, Elena Filipova, Fabio Luisi, Wiener Symphoniker. The song's track number on the album is #29 out of 47 tracks. Based on our data, Austria was the country where this track was produced or recorded. Based on our statistics, Francesca da Rimini, Op. 4, Act III, Scene 4: O dama, non ti disperare! (Smaragdi, Adonella, Biancofiore, Garsenda)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Op. 4, Act III, Scene 4: O dama, non ti disperare! (Smaragdi, Adonella, Biancofiore, Garsenda) by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Lorena Espina, Jaroslava Horska, Anita Bader, Tunde Franko has a tempo of 147 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Francesca da Rimini, Op. 4, Act III, Scene 4: O dama, non ti disperare! (Smaragdi, Adonella, Biancofiore, Garsenda) being at 147 BPM, the half-time would be 74 BPM with a double-time of 294 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Francesca da Rimini, Op. 4, Act III: Inghirlandata di violette m'appariste ieri | Riccardo Zandonai, Martin Mühle, Christina Vasileva, Philharmonisches Orchester Freiburg, Fabrice Bollon | A Major | 2 | 11B | 94 BPM | ||
| La Bohème / Act 1: Non sono in vena! - Si sente meglio | Giacomo Puccini, Rolando Villazón, Anna Netrebko, Bavarian Radio Symphony Orchestra, Bertrand de Billy | E Major | 2 | 12B | 91 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Ich bin Rosine Leckermaul" [The Nibblewitch, Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | D Major | 2 | 10B | 75 BPM | ||
| Bellini: I puritani: "E di morte lo stral non sarà lento" (Riccardo, Giorgio, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| La Gioconda, Op. 9: "Enzo Grimaldo, Principe di Santafior, che pensi?" | Amilcare Ponchielli, Jonas Kaufmann, Ludovic Tezier, Antonio Pappano, Orchestra of the Accademia di Santa Cecilia, Rome | F Minor | 0 | 4A | 167 BPM | ||
| Don Pasquale: Tornami a dir che m'ami | Gaetano Donizetti, Erin Morley, Lawrence Brownlee, Munich Radio Orchestra, Ivan Repusic | A Major | 1 | 11B | 82 BPM | ||
| Carmen / Act 1: "Monsieur le brigadier?" / Duo:"Parle-moi de ma mère!" | Georges Bizet, Katia Ricciarelli, José Carreras, Jean Barney, Danièle Ajoret, Berliner Philharmoniker, Herbert von Karajan | C Minor | 0 | 5A | 81 BPM | ||
| Un ballo in maschera, Act I: Zitti, l'incanto non dèssi turbare - Rallegrati ornai | Giuseppe Verdi, Elena Obraztsova, Plácido Domingo, Luigi De Corato, Gianfranco Manganotti, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | B♭ Minor | 1 | 3A | 78 BPM | ||
| Macbeth / Act 2: Gran Scena: "Studia il passo, o mio figlio!" | Giuseppe Verdi, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E Major | 1 | 12B | 88 BPM | ||
| Francesca da Rimini, Op. 4, Act II: Paolo! | Riccardo Zandonai, Martin Mühle, Christina Vasileva, Philharmonisches Orchester Freiburg, Fabrice Bollon | D Minor | 2 | 7A | 88 BPM | ||
| Don Pasquale, Act II Quinta Scena: Siete marito e moglie (Malatesta/Notaro/Norina/Pasquale/Ernesto) | Gaetano Donizetti, Leo Nucci/Guido Fabbris/Mirella Freni/Sesto Bruscantini/Gösta Winbergh/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | C Major | 2 | 8B | 63 BPM | ||
| Ariane et Barbe-bleue, Act I: Prenez-les! - Penchez-vous! (the Nurse, Ariane) | Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | F♯ Major | 4 | 2B | 91 BPM | ||
| Die Entführung aus dem Serail / Act 1: "Wer ein Liebchen hat gefunden" - "Verwünscht seist du samt deinem Liede!" | Wolfgang Amadeus Mozart, Gösta Winbergh, Martti Talvela, Heinz Zednik, Wiener Philharmoniker, Sir Georg Solti | G Minor | 2 | 6A | 82 BPM | ||
| Simon Boccanegra: Prologo: Che dicesti (Paolo, Pietro, Simone, Coro) | Giuseppe Verdi, Mattia Olivieri, Andrea Pellegrini, Ludovic Tezier, Coro del Teatro di San Carlo di Napoli, Michele Spotti, Orchestra del Teatro San Carlo di Napoli | F Major | 0 | 7B | 86 BPM | ||
| Bellini: I puritani: "Cavalier! – Se t’è d’uopo di consiglio" (Enrichetta, Arturo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Carmen / Act 1: Chanson et Mélodrame: "Avez-vous quelque chose à ré- pondre?..." "Tra la la la ...." | Georges Bizet, Agnes Baltsa, Jean-Noel Sissia, Maria Laborit, Alain Hitier, Jean Barney, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 97 BPM | ||
| Francesca da Rimini, Op. 4, Act II: Paolo! Paolo! | Riccardo Zandonai, Christina Vasileva, Martin Mühle, Philharmonisches Orchester Freiburg, Fabrice Bollon | D♭ Major | 3 | 3B | 83 BPM | ||
| Rossini: Soirées musicales: No. 1, La promessa | Gioachino Rossini, Rockwell Blake, Antonio Pappano | F Major | 0 | 7B | 86 BPM | ||
| Das Lied von der Erde: VId. Der Abschied. Schwer | Gustav Mahler, Les Siècles, François-Xavier Roth, Marie-Nicole Lemieux | F Major | 0 | 7B | 86 BPM | ||
| Tosca, Act II: Orsù, Tosca, parlate | Giacomo Puccini, Sherrill Milnes, Mirella Freni, Luciano Pavarotti, Michel Sénéchal, Paul Hudson, National Philharmonic Orchestra, Nicola Rescigno | G Minor | 2 | 6A | 176 BPM | ||
| Puccini: Turandot, Act 2: "Gravi, enormi ed impotenti" (Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia | A♭ Major | 2 | 4B | 123 BPM | ||
| Puccini: Tosca, Act 2 Scene 4: "Nel pozzo... nel giardino… Floria! … Amore" (Tosca, Scarpia, Sciarrone, Cavaradossi) | Giacomo Puccini, Tito Gobbi, Carlo Bergonzi, Maria Callas, Giorgio Tadeo, Orchestre de la Socit des Concerts du Conservatoire, Georges Prtre, Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Minor | 5 | 2A | 82 BPM | ||
| Tosca, Act II: Tosca è un buon falco! | Giacomo Puccini, Ludovic Tezier, Nicolò Ceriani, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | ||
| Rossini: Petite messe solennelle: XII. Et vitam ventur saeculi | Gioachino Rossini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Orchestra dell'Accademia Nazionale di Santa Cecilia | D♭ Major | 4 | 3B | 93 BPM | ||
| Francesca da Rimini, Op. 4, Act II, Scene 2: Paolo! Francesca! - Date il segno (Francesca, Paolo, Il Torregiano, Il Balestriere, Chorus) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Frederic Kalt, Cheyne Davidson, Alexander Kravets, Kammerchor Sofia | B♭ Minor | 2 | 3A | 96 BPM |