On January 1, 1956, the song "Naan Seitha" was released by P. Leela, A. M. Rajah, T.N.Ramiah Doss. The duration of This song is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Naan Seitha's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ghantasala, T.N.Ramiah Doss's "Guna Sundari (Original Motion Picture Soundtrack)" album is number 4 out of 18. On top of that, India appears to be the country where this track was created. Based on our statistics, Naan Seitha's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Naan Seitha by P. Leela, A. M. Rajah, T.N.Ramiah Doss to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hoovantha Hrudayavanu | Chitra | D Minor | 6 | 7A | 155 BPM | ||
| Mampoove Siru Mainave | K. J. Yesudas, P. Susheela | F Minor | 7 | 4A | 143 BPM | ||
| Jayathu Jayavitala | P. B. Sreenivas | G Major | 5 | 9B | 148 BPM | ||
| Ide Paata, Pt. 1 | K. Muralidhar | A Major | 6 | 11B | 75 BPM | ||
| Cheyi Cheyikaluparve | A. M. Rajah, P. Leela | E Minor | 3 | 9A | 169 BPM | ||
| Adangoppan Mavane | T. Rajendar | D Major | 9 | 10B | 79 BPM | ||
| Syamasundaraa | V. Ramakrishna | B Minor | 6 | 10A | 89 BPM | ||
| Gopala Baala Ninne | Mohammed Rafi, P. Susheela, Dr. C. Narayana Reddy | D Minor | 8 | 7A | 140 BPM | ||
| Eswara Chintha | Kamukara Purushothaman, Thirunayanar Kurichi | F♯ Major | 7 | 2B | 99 BPM | ||
| Nyan Nyan Paadanum | Jency Anthony | E Minor | 6 | 9A | 117 BPM | ||
| Ee Madhu Maasam | N. Suryaprakash, Vijayalakshmi Sarma | A Major | 8 | 11B | 135 BPM | ||
| Madhuvolaka Bosey | V. Ramakrishna, P. Susheela | B Minor | 3 | 10A | 70 BPM | ||
| Ellam Inbamayam | M. L. Vasanthakumari, P. Leela, U. Narayana Kavi | D Major | 7 | 10B | 179 BPM | ||
| Adigo Navalokam | P. Susheela, Ghantasala | A♭ Major | 2 | 4B | 76 BPM | ||
| Theeratha Vilaiyaatu Pillai | D. K. Pattammal | D♭ Major | 4 | 3B | 158 BPM | ||
| Indru Namadhullame | T. M. Soundararajan, P. Leela | D Major | 2 | 10B | 61 BPM | ||
| Nenjuporukkuthilliaiye | C. S. Jayaraman | D Major | 3 | 10B | 110 BPM | ||
| Kalaharana (Raga: Suddhasaveri; Tala: Rupakam) | Dr. M. Balamuralikrishna | G Major | 7 | 9B | 92 BPM | ||
| Ninnolumeyindale | C. Ashwath | A♭ Minor | 5 | 1A | 100 BPM | ||
| Oho Bangaru Chilaka | Jikki | C Major | 4 | 8B | 80 BPM | ||
| Buddhi Sigamani | L. R. Eswari, A. L. Raghavan | D♭ Major | 2 | 3B | 139 BPM | ||
| Ponnenna (From "Alaigal") | Jayachandran, M. S. Viswanathan, Kavingar Kannadasan | F Major | 4 | 7B | 79 BPM | ||
| Pannirugai Velanakku | Ve.P.Raj, N. R. P. Ravichandhran, Pushpavanam Kuppusamy | A♭ Major | 7 | 4B | 105 BPM | ||
| Namo Bhootha Naadha | S. Varalakshmi, Ghantasala | E Major | 4 | 12B | 139 BPM | ||
| Ulagin Oliyaga | Keyboard Suresh, S.Lawrance, Vyasar S Lawrance | E Minor | 4 | 9A | 111 BPM |