Handel / Arr. Halvorsen: Keyboard Suite in G Minor, HWV 432: VI. Passacaille by George Frideric Handel, Nigel Kennedy, Lynn Harrell Song Details

George Frideric Handel, Nigel Kennedy, Lynn Harrell's 'Handel / Arr. Halvorsen: Keyboard Suite in G Minor, HWV 432: VI. Passacaille' had a release date set for 2000. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 9 in Duos for Violin & Cello by Lynn Harrell. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Handel / Arr. Halvorsen: Keyboard Suite in G Minor, HWV 432: VI. Passacaille is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Handel / Arr. Halvorsen: Keyboard Suite in G Minor, HWV 432: VI. Passacaille by George Frideric Handel, Nigel Kennedy, Lynn Harrell is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Music Key

This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 7%
Loudness: -17.944 dB
Acousticness: 96%
Danceability: 35%
Energy: 18%
Instrumentalness: 61%
Liveness: 14%
Loudness: 70%
Speechiness: 6%
Valence: 30%

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