"We Better Get Inside" by Geoff Zanelli had its release date on January 1, 2012. The duration of This song is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. We Better Get Inside's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "The Odd Life of Timothy Green". In this album, this song's track order is #22. Furthermore, we believe that the track originated from United States. In terms of popularity, We Better Get Inside is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With We Better Get Inside by Geoff Zanelli having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| She Became a Mystery | Ryan Lott | E Minor | 2 | 9A | 72 BPM | ||
| A Place Like This | Mike Higham, Matthew Margeson | G Minor | 1 | 6A | 120 BPM | ||
| Goodbye Wanderer | Antonio Pinto | D♭ Minor | 0 | 12A | 84 BPM | ||
| Farewell | Roque Baños | F Major | 0 | 7B | 79 BPM | ||
| Outer Space | Antonio Pinto | D♭ Minor | 2 | 12A | 140 BPM | ||
| Expotition to London | Geoff Zanelli, Jon Brion | D Minor | 1 | 7A | 63 BPM | ||
| Hoosier Hill | Keegan DeWitt | A♭ Major | 1 | 4B | 125 BPM | ||
| Blind Endeavours | Samuel Sim | G Major | 1 | 9B | 82 BPM | ||
| Ray of Sunshine | Torin Borrowdale | E♭ Major | 0 | 5B | 92 BPM | ||
| I Won't Stop Looking Until I Find Them | Fernando Velázquez | D♭ Minor | 2 | 12A | 59 BPM | ||
| Monologues | Joel P West | E♭ Major | 0 | 5B | 135 BPM | ||
| The Great Misunderstanding | Craig Armstrong | D♭ Minor | 0 | 12A | 88 BPM | ||
| The Clam Shell Challenge | Steven Price | D Major | 3 | 10B | 131 BPM | ||
| Fairground | Joby Talbot | D♭ Minor | 2 | 12A | 94 BPM | ||
| Pub Decision | Theodore Shapiro, Mark Graham | B♭ Major | 0 | 6B | 66 BPM | ||
| It's Not Stress, It's Pooh | Geoff Zanelli, Jon Brion | G Minor | 1 | 6A | 164 BPM | ||
| I Won't Leave You | Clinton Shorter | D Major | 1 | 10B | 119 BPM | ||
| Walking On Water | George Fenton | B♭ Major | 0 | 6B | 79 BPM | ||
| This Is Home | Joel P West | C Major | 2 | 8B | 100 BPM | ||
| Epilogue | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 0 | 8B | 0 BPM | ||
| The Soul of Mary | Maurizio Malagnini | B♭ Major | 2 | 6B | 94 BPM | ||
| Secrets | Samuel Sim | G Major | 0 | 9B | 159 BPM | ||
| My Boys, I Cannot See Them | Fernando Velázquez | A Minor | 2 | 8A | 99 BPM | ||
| No Pain | Carlo Siliotto | E Major | 1 | 12B | 180 BPM | ||
| You Finish His Work | Theodore Shapiro, Mark Graham | D Major | 1 | 10B | 68 BPM |