On February 19, 2021, the song "The Witching Hour" was released by Daniel Phillips, Ryan Matter. This song is about six minutes long, preciously at 5:36, making this song fairly long compared to other songs. Since The Witching Hour only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from United States. Based on our statistics, The Witching Hour's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With The Witching Hour by Daniel Phillips, Ryan Matter having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rise And Fall | Stuart Pearson | E Minor | 3 | 9A | 115 BPM | ||
| The Doomsday Cult Blues | Graveyard Train | D Major | 10 | 10B | 119 BPM | ||
| Halloween | Daniel Phillips | A Minor | 2 | 8A | 91 BPM | ||
| Swing Low, Sweet Chariot | Ben Miller Band | A Major | 8 | 11B | 111 BPM | ||
| Dancing with Ghosts (Graveyard Mix) | Postindustrial Poets | A Minor | 8 | 8A | 150 BPM | ||
| In Deep | Daniel Phillips | E Minor | 5 | 9A | 86 BPM | ||
| Psychopomp Lament | Bryce Lewis | A Minor | 4 | 8A | 140 BPM | ||
| Boy in the Balcony | Mantlepiece | G Major | 6 | 9B | 120 BPM | ||
| Either Side Of The Lens | Michael Waters | C Major | 5 | 8B | 115 BPM | ||
| Inheritance of Rain | Di Natale | G Major | 5 | 9B | 134 BPM | ||
| Heroin | Slow Horses, Tim Barton | D♭ Major | 5 | 3B | 147 BPM | ||
| MYSTERY PILL (AWKWARDLY) | Sam Russell & the Harborrats | B Minor | 6 | 10A | 101 BPM | ||
| Go Thru Jesus | Steve the Trailplayer | C Major | 5 | 8B | 105 BPM | ||
| Cyclus | Tom Lessner | B♭ Major | 6 | 6B | 181 BPM | ||
| Changed My Ways | Grant Barnett | C Major | 3 | 8B | 117 BPM | ||
| LOVE CONQUERS ALL - FM2 | Stephen Youmoore | G Major | 4 | 9B | 103 BPM | ||
| Wild Buckskin | Willy Tea Taylor, The Fellership | C Minor | 6 | 5A | 148 BPM | ||
| No Tellin' When | The Reverend Peyton's Big Damn Band | D Major | 5 | 10B | 115 BPM | ||
| Round the Circle | Jonivan Jones | D♭ Minor | 6 | 12A | 119 BPM | ||
| Beans and Corn | Long Haul Paul | G Major | 5 | 9B | 136 BPM | ||
| APLENGLOW - FM2 | Stephen Youmoore | C Major | 3 | 8B | 132 BPM | ||
| Arabian Spring in Tunisia | Karhu B | G Major | 7 | 9B | 140 BPM | ||
| Fast Train | Gasoline Lollipops | C Major | 7 | 8B | 137 BPM | ||
| Waynesboro | Ramsay Midwood | B♭ Minor | 6 | 3A | 118 BPM | ||
| 61 & 49 | The Smokestack Relics | F♯ Major | 10 | 2B | 106 BPM |