On March 1, 2010, the song "Sacha Santna Ang Endhan Re" was released by Parshad Harikrishnabhagat, Harikrishna Patel. This song appears to be safe for all ages as it is not explicit. The song is number 2 out of 8 in ChosathPadi Gan Swaminarayan Kirtan by Manoj, Vimal. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Sacha Santna Ang Endhan Re is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Sacha Santna Ang Endhan Re by Parshad Harikrishnabhagat, Harikrishna Patel is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sundar Sari Sikhaman Mari | Parshad Harikrishnabhagat, Harikrishna Patel | F♯ Major | 8 | 2B | 133 BPM | ||
| Nirakhane Ganganamaan | Ashit Desai & Group | D♭ Major | 2 | 3B | 144 BPM | ||
| SHRINATHJI SHRIYMUNAJI | NIDHI DHOLKIA NITIN DEVKA | D♭ Major | 7 | 3B | 89 BPM | ||
| Sadguru Tame Mara Taranhar | Gagan Jethva, Nitin Devka, Bipin Sathiya, Farida Mir, Priti Varsani, Poonam Barot, Jayshreedas Sadhviji, Damyanti Bardai | A♭ Major | 6 | 4B | 128 BPM | ||
| Shabad Soham Dhyave | Sant Rajuram Ji | B♭ Minor | 6 | 3A | 99 BPM | ||
| Adma Ga Purala Pahu Balu Ga Mamala | Vijay Sartape | F♯ Major | 7 | 2B | 202 BPM | ||
| Mujhe Ram Pyare — Mujhe Ram Dedo | Mukul Dwivedi | A♭ Major | 6 | 4B | 138 BPM | ||
| Hme Raston Ki Jarurat Nahi Hai | Mukul Dwivedi | E Major | 8 | 12B | 136 BPM | ||
| Eva Dham Ne Pamva Kaj | Parshad Harikrishnabhagat, Harikrishna Patel | D♭ Major | 6 | 3B | 104 BPM | ||
| Ramto Jogi Re Kyathi | Ramdas Gondaliya | A♭ Minor | 5 | 1A | 166 BPM | ||
| Vir Shree Tejaji Aarti | Kishor Mandiya Jat | C Minor | 8 | 5A | 80 BPM | ||
| Govind Dev Ji Ke Mandir Me - Krishna Bhajan | Satish Dehra, Mukul Soni | G Major | 2 | 9B | 71 BPM | ||
| E Re Kaya Me | Gopal Sadhu | A Major | 9 | 11B | 105 BPM | ||
| Diya Barge Ho (Kantikartik) CG Song | OP Dewangan | D Major | 9 | 10B | 140 BPM | ||
| Rangama Bhini Re | Rajkot Gurukul | D♭ Minor | 7 | 12A | 112 BPM | ||
| Bhimrupi Maharudra Stotra | Sameer Vijaykumar | D♭ Major | 4 | 3B | 163 BPM | ||
| Dhan Dhan Ho Reva Mai | Nimadi Narmada Bhajan | Ashwin Yadav, Badal Joshi, O P Patel | G Major | 6 | 9B | 150 BPM | ||
| Ek Tirat Vedhana Pir | Nargis Balolia | D Major | 4 | 10B | 143 BPM | ||
| GOVIND HARI GOPAL HARI-DHUN | NITIN DEVKA-NIDHO DHOLKIA | E♭ Major | 4 | 5B | 156 BPM | ||
| Allah Malik Haie | Rakesh Singh | C Major | 7 | 8B | 200 BPM | ||
| Chhoti Chhoti Gaiya Chhote Chhote Gwal | Utpal Jivrajani, Nidhi Dholakia | F Minor | 7 | 4A | 90 BPM | ||
| Kathan Vachan Kahu Chu Re | Parshad Harikrishnabhagat, Harikrishna Patel | B Major | 6 | 1B | 132 BPM | ||
| Thal Dharavu Aaje | Gagan Jethava | A♭ Major | 7 | 4B | 88 BPM | ||
| Bhakti Re Karvi Aene Rank | Damyanti Bardai | B♭ Minor | 8 | 3A | 118 BPM | ||
| Bhajan Karva Me Bolavyo | Master Rana | B♭ Major | 6 | 6B | 114 BPM |