R. Sierra's 'The Flame' had a release date set for November 22, 2020. The Flame is 2 minutes and 55 seconds long and may contain bad words that may be unsuitable for children. Since The Flame only contains only one song in the album, we like to consider this song as a single. The Flame is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Flame by R. Sierra having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Haydn, M: Divertimento in E-Flat Major, MH 9: I. Adagio con variazioni | Michael Haydn, Rodney Slatford, Kenneth Heath, Stephen Shingles | D Major | 1 | 10B | 108 BPM | ||
| Bach, JS: Violin Concerto No. 2 in E Major, BWV 1042: II. Adagio (Arr. Yang for Guitar and String Quartet) | Johann Sebastian Bach, Xuefei Yang, Elias String Quartet | D♭ Minor | 0 | 12A | 109 BPM | ||
| Suita Concertante-Encounters IV for Viola Clarinet and Chamber Orchestra: II. Allegro | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | A Minor | 2 | 8A | 137 BPM | ||
| An Improvisation to Wish You Farewell | Gerard Cousins | A♭ Minor | 1 | 1A | 91 BPM | ||
| Soir - Matin, Op. 76: I. Soir. Andante cantabile | Mel Bonis, Trio Wanderer | A♭ Minor | 1 | 1A | 91 BPM | ||
| Violin Sonata: I. Allegro | Huw Watkins, Tamsin Waley-Cohen | A♭ Minor | 1 | 1A | 91 BPM | ||
| Nocturne No. 8 in A Major, H. 46 | John Field, Michael Collins, Michael McHale | E Minor | 0 | 9A | 72 BPM | ||
| El Amor brujo: Quadre Primer: Introduccion y escena | Manuel de Falla, Ginesa Ortega, Josep Pons, Orquestra De Cambra Teatre Lliure | A♭ Major | 0 | 4B | 77 BPM | ||
| Harpsichord Concerto No. 5 in F Minor, BWV 1056: II. Largo (Arr. for Guitar) | Johann Sebastian Bach, Angel Romero | A Major | 1 | 11B | 101 BPM | ||
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: V. Das Menuett des Lully | Richard Strauss, Jeffrey Tate, English Chamber Orchestra | A♭ Minor | 1 | 1A | 91 BPM | ||
| Nocturnes, Op. 32: No. 1 in B Major. Andante sostenuto (Arr. for Cello and Piano by Thérèse Motard and Louise-Andrée Baril) | Frédéric Chopin, Thérèse Motard, Louise-Andrée Baril | G Major | 0 | 9B | 89 BPM | ||
| Sonata Santera: III. Bembe | Iván Enrique Rodríguez, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| The Legend, Op. 17 | Henryk Wieniawski, Filharmonie Brno, Petr Altrichter, Jan Stanovsky | G Minor | 1 | 6A | 112 BPM | ||
| Sonata for Violin & Harp, Op. 113 (Version for Flute & Harp): I. Allegro brillante | Louis Spohr, András Adorján, Marielle Nordmann | D Major | 1 | 10B | 95 BPM | ||
| 12 Bagatelles Opus 13: No. 9 The Bee (Arr. Söllscher for Cello & Guitar) | François Schubert, Jian Wang, Göran Söllscher | D Minor | 1 | 7A | 105 BPM | ||
| La Fontaine D' Arethuse from Mythes, Op. 30 | Karol Szymanowski, Keiko Tokunaga | D♭ Minor | 2 | 12A | 71 BPM | ||
| Cello Concerto No. 1 in A Minor, Op. 33, R. 193: III. Allegro non troppo | Camille Saint-Saëns, Daniel Müller-Schott, Deutsches Symphonie-Orchester Berlin, Alexandre Bloch | F Major | 0 | 7B | 78 BPM | ||
| 6 Bagatelles, Op. 43: No. 1, Andante | Fernando Sor, Jason Vieaux | C Major | 0 | 8B | 159 BPM | ||
| Concerto for Violin & Orchestra in D Major, Op. 35: II. Romance. Andante | Erich Wolfgang Korngold, Tassilo Probst, Thessaloniki State Symphony Orchestra, Daniel Geiss | A♭ Minor | 1 | 1A | 91 BPM | ||
| Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Kristina Reiko Cooper, Constantine Orbelian, Kaunas City Symphony Orchestra | A♭ Minor | 1 | 1A | 91 BPM | ||
| Sonata, Op. 61: III. Allegro Vivo | Joaquín Turina, Shiri Coneh | G Minor | 2 | 6A | 114 BPM | ||
| Empty Abyss | Orithia | A Minor | 0 | 8A | 76 BPM | ||
| Symphony No. 1, GMW 11: IIId. Wieder etwas bewegter, wie im Anfang | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | A Major | 1 | 11B | 81 BPM | ||
| 3 Romanzen, Op. 94: III. Nicht schnell | Robert Schumann, Céline Moinet, Florian Uhlig | D Major | 0 | 10B | 169 BPM | ||
| Pièce en forme de Habanera, M. 8 | Maurice Ravel, Slava Grigoryan, Sharon Grigoryan | G Major | 1 | 9B | 97 BPM |