The Rake's Progress, Act I Scene 1: Arioso. Dear Father Trulove… (Tom) by Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft Song Details

Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft's ' "The Rake's Progress, Act I Scene 1: Arioso. Dear Father Trulove… (Tom)" was released on its scheduled release date, May 26, 2009. With This song being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 73 in the song's album "Stravinsky, I.: Rake's Progress (The) [Opera]". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, The Rake's Progress, Act I Scene 1: Arioso. Dear Father Trulove… (Tom) is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

With The Rake's Progress, Act I Scene 1: Arioso. Dear Father Trulove… (Tom) by Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -21.165 dB
Acousticness: 97%
Danceability: 41%
Energy: 18%
Instrumentalness: 0%
Liveness: 43%
Loudness: 65%
Speechiness: 6%
Valence: 54%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphony No.9 In E Minor, Op.95, B.178 - "From The New World": 1. Adagio - Allegro molto	Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík	G Major	1	9B	118 BPM
VII. Finale	Igor Stravinsky, Brussels Philharmonic, Alexander Rahbari	D♭ Minor	3	12A	81 BPM
The Firebird (L'oiseau De Feu) - Suite (1919): Berceuse	Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung	A♭ Minor	0	1A	135 BPM
Simple Symphony, Op. 4: I. Boisterous Bourrée	Benjamin Britten, English Chamber Orchestra	A Minor	2	8A	106 BPM
Pictures at an Exhibition (Orch. Ravel): IV. Bydlo	Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel	A Major	1	11B	90 BPM
Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto	Béla Bartók, Berliner Philharmoniker, Herbert von Karajan	F Major	0	7B	96 BPM
Violin Concerto in D Minor, Op. 47: II. Adagio di molto	Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn	B♭ Major	1	6B	173 BPM
21 Hungarian Dances, WoO 1: Hungarian Dance No. 3 in F Major. Allegretto (Orch. Brahms)	Johannes Brahms, Wiener Philharmoniker, Claudio Abbado	F Major	0	7B	77 BPM
Petrushka: The Shrove-Tide Fair	Robert Groslot, Belgian Radio and Television Philharmonic Orchestra, Igor Stravinsky	D Minor	5	7A	80 BPM
Overture "A Midsummer Night's Dream", Op. 21	Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa	E Major	1	12B	139 BPM
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua	Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel	F♯ Major	0	2B	69 BPM
Petrouchka: Danse des cochers et des palefreniers	Ferenc Fricsay, Berliner Philharmoniker	A Minor	6	8A	121 BPM
Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Homecoming	Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan	B Minor	1	10A	69 BPM
Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: IV. Finale (Allegro con fuoco)	Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas	F Minor	4	4A	80 BPM
String Quartet No. 8 in C Minor, Op. 110: I. Largo	Dmitri Shostakovich, Borodin Quartet	C Minor	1	5A	114 BPM
2 Elegiac Melodies, Op. 34: No. 1, The Wounded Heart	Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset	G Major	2	9B	72 BPM
Pelléas et Mélisande, Suite, Op. 46: I. At the Castle Gate	Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan	G Major	1	9B	92 BPM
Pictures At An Exhibition (Orch. Ravel): 8a. Catacombae (Sepulchrum Romanum)	Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel	B Minor	0	10A	71 BPM
Pictures At An Exhibition: Gnomus	Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini	B Major	0	1B	99 BPM
Enigma Variations, Op. 36: Var. 9. Adagio "Nimrod"	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	E♭ Major	0	5B	79 BPM
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo	Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra	F Major	2	7B	131 BPM
Préludes / Book 1, L.117: 2. Voiles	Claude Debussy, Pierre-Laurent Aimard	C Minor	0	5A	138 BPM
Eine Alpensinfonie: X. Nacht	Richard Strauss, Bernard Haitink, London Symphony Orchestra	B♭ Minor	0	3A	86 BPM
Symphony No. 1 in E Minor: IV. Finale	Florence Beatrice Price, Fort Smith Symphony, John Jeter	C Major	1	8B	76 BPM
String Quartet No. 2 in D Major: II. Scherzo: Allegro	Alexander Borodin, Budapest Haydn Quartet	F Major	1	7B	107 BPM