"ワーグナー:「ローエングリン」-第1幕への前奏曲" by NBC交響楽団 had its release date on October 16, 2021. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 20世紀不滅の名演奏家 アルトゥーロ・トスカニーニ, so we believe that "ワーグナー:「ローエングリン」-第1幕への前奏曲" is a single. Based on our statistics, ワーグナー:「ローエングリン」-第1幕への前奏曲's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of ワーグナー:「ローエングリン」-第1幕への前奏曲 by NBC交響楽団 is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nefud Mirage (from "Lawrence Of Arabia") | London Philharmonic Orchestra | D Major | 0 | 10B | 62 BPM | ||
| Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam (Excerpt) | Gustav Mahler, Jukka-Pekka Saraste, Finnish Radio Symphony Orchestra | G Major | 0 | 9B | 108 BPM | ||
| Piano Concerto No. 3 in C Minor, Op. 37: II. Largo | Ludwig van Beethoven, Berliner Philharmoniker, Mitsuko Uchida, Sir Simon Rattle | E Major | 0 | 12B | 63 BPM | ||
| Symphonie Fantastique, Op. 14: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Valery Gergiev | C Minor | 1 | 5A | 60 BPM | ||
| The Fly - From "The Fly" | Howard Shore, Orchestre Philharmonique de Radio France, Ludwig Wicki | G Minor | 0 | 6A | 81 BPM | ||
| 2 Elegiac Melodies, Op. 34: No. 2 Last Spring. Andante | Edvard Grieg, Eugene Ormandy, Philadelphia Orchestra | E Major | 1 | 12B | 138 BPM | ||
| Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16c, Pas de deux de Fanny Elssler. Adage | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | E♭ Major | 0 | 5B | 142 BPM | ||
| Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto - Un pochettino largamente | Jean Sibelius, Herbert von Karajan, Philharmonia Orchestra | A♭ Major | 1 | 4B | 79 BPM | ||
| Symphony No. 2 in C minor - "Resurrection" / 3rd Movement - (Scherzo): (Trumpets & trombones) | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | F Major | 2 | 7B | 165 BPM | ||
| La source, ou Naila: Suite No. 3: Suite No. 3: Finale | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 66 BPM | ||
| The School For Scandal Overture Op. 5 | Samuel Barber, Leonard Slatkin, St. Louis Symphony | F♯ Minor | 3 | 11A | 116 BPM | ||
| Two Songs Without Words, Op. 22: I. Country Song | Gustav Holst, Richard Hickox, City of London Sinfonia | G Major | 0 | 9B | 82 BPM | ||
| 弦楽のためのセレナード ハ長調 Op.48~第2楽章 ワルツ | Pyotr Ilyich Tchaikovsky, Vladimir Fedoseyev, モスクワ放送交響楽団 | G Major | 1 | 9B | 176 BPM | ||
| Symphonie fantastique: V. Dream of a Witches' Sabbath, Larghetto - Allegro) | Hector Berlioz, Philadelphia Orchestra, Christoph Eschenbach | C Minor | 1 | 5A | 61 BPM | ||
| Prokofiev: Cinderella, Op. 87, Act 3, Scene 2: No. 50, Amoroso | Sergei Prokofiev, André Previn, London Symphony Orchestra | C Major | 1 | 8B | 74 BPM | ||
| Giselle: Act II: Ensemble des Wilis | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A♭ Major | 0 | 4B | 89 BPM | ||
| Giselle: Act II: Entree du Prince et apparition de Giselle (The Prince Enters, Sees the Spectre of Giselle) | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Minor | 0 | 6A | 71 BPM | ||
| Der Zigeunerbaron: Ouvertüre | Johann Strauss II, Christian Thielemann, Wiener Philharmoniker | C Major | 1 | 8B | 94 BPM | ||
| Ruslan and Lyudmila: Overture | Mikhail Glinka, London Symphony Orchestra, Sir Georg Solti | D Major | 3 | 10B | 83 BPM | ||
| Scheherazade, Op. 35: The Sea And Sinbad's Ship (Largo e maestoso - Lento - Allegro non troppo - Tranquillo) | Nikolai Rimsky-Korsakov, Joseph Silverstein, Boston Symphony Orchestra, Seiji Ozawa | C Major | 1 | 8B | 79 BPM | ||
| Don Quixote, Act IV: Adagio | Ludwig Minkus, Valery Zhelobinsky, Sofia National Opera Orchestra, Boris Spassov | E♭ Major | 1 | 5B | 70 BPM | ||
| Spartacus, Act I: Scene and Dance with Crotala (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | G Major | 1 | 9B | 80 BPM | ||
| Finlandia, Op. 26 | London Philharmonic Orchestra | A♭ Major | 2 | 4B | 137 BPM | ||
| Bangalter: Mythologies: VII. Treize Nuits | Thomas Bangalter, Romain Dumas, Orchestre National Bordeaux Aquitaine | A Major | 1 | 11B | 101 BPM | ||
| Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM |