Voice Male's 'Christmas Chopsticks' had a release date set for November 1, 1998. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Voice Male's "Jingles" album is number 13 out of 16. In terms of popularity, Christmas Chopsticks is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Christmas Chopsticks by Voice Male to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Michael, Row the Boat Ashore | Voice of Praise | B Major | 1 | 1B | 60 BPM | ||
| Woman, Why Weepest Thou? | Rob Gardner, Spire Chorus & London Symphony Orchestra | E Major | 1 | 12B | 86 BPM | ||
| Abide With Me | The Moleni Brothers | F Major | 0 | 7B | 81 BPM | ||
| The Look | Steve Pettit Evangelistic Team | F Minor | 3 | 4A | 141 BPM | ||
| Pride (In the Name of Love) | Voice Male | E♭ Minor | 8 | 2A | 125 BPM | ||
| Jesus' Love Is Like A River | Daniel Beck | C Major | 2 | 8B | 64 BPM | ||
| Lord, I Would Follow Thee | Beyond 5 | E Major | 2 | 12B | 74 BPM | ||
| Be Still My Soul | Mackenzie Tolk | E♭ Major | 2 | 5B | 78 BPM | ||
| He Is There | Tanner Linford | D Major | 5 | 10B | 99 BPM | ||
| My Heavenly Father Loves Me | Anne-Marie Hildebrandt | C Major | 2 | 8B | 77 BPM | ||
| Arise, My Soul, Arise | The Wilds | G Major | 2 | 9B | 175 BPM | ||
| Make Us One | ReGen Harmony | F Major | 1 | 7B | 143 BPM | ||
| How Great Thou Art (Arr. Catherine Papworth) | BYU Noteworthy | B♭ Major | 2 | 6B | 83 BPM | ||
| Pilgrim Song | Benjamin Everson | D Major | 3 | 10B | 130 BPM | ||
| Hosanna (Thy Savior Hath Come) | Rob Gardner, London Symphony Orchestra, Spire Chorus | E♭ Major | 2 | 5B | 136 BPM | ||
| On Eagle's Wings - Feat. Ryan Maag | Jay R. Powell | G Major | 1 | 9B | 87 BPM | ||
| Yet Not I But Through Christ In Me | Trevor Drudge, The Drudge Family | B♭ Major | 4 | 6B | 118 BPM | ||
| Joseph Smith's First Prayer | Daniel Beck | D Major | 2 | 10B | 71 BPM | ||
| Brightly Beams Our Father's Mercy (Arr. L. Johnson for Men's Choir & Piano) | Philip Paul Bliss, BYU Men's Chorus, Conlan Miller, Rosalind Hall | D♭ Major | 2 | 3B | 111 BPM | ||
| Where Can I Turn for Peace | Dallin McAllister | E♭ Major | 0 | 5B | 89 BPM | ||
| Greater Than Us All | Kenneth Cope | E Major | 1 | 12B | 120 BPM | ||
| Breathe In Me | Dallyn Vail Bayles | F♯ Major | 3 | 2B | 142 BPM | ||
| Sing, Sing a Song | Voice Male | C Major | 3 | 8B | 128 BPM | ||
| Come Thou Fount of Every Blessing / If You Could Hie to Kolob | Elenyi, Sarah Young | C Major | 1 | 8B | 142 BPM | ||
| I'll Ask in Faith | Lex de Azevedo, Carol Lynn Pearson, Kenneth Cope | E Major | 1 | 12B | 72 BPM |