いとうかなこ's 'Hacking to the Gate - Instrumental- symphonic ver.' had a release date set for September 25, 2013. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 26 in the song's album "STEINS;GATE SYMPHONIC REUNION". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Japan. Hacking to the Gate - Instrumental- symphonic ver. is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Hacking to the Gate - Instrumental- symphonic ver. by いとうかなこ having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suzumiya Haruhi No Tegakari | 神前 暁 | F♯ Minor | 2 | 11A | 139 BPM | ||
| 終末のイゼッタ | Michiru | E♭ Major | 3 | 5B | 136 BPM | ||
| Tenka Fubu | Yasuharu Takanashi | C Major | 9 | 8B | 155 BPM | ||
| Fluorite Eye's Song -Prototype- | 神前 暁 | E Major | 1 | 12B | 78 BPM | ||
| スカイクラッドの観測者 - Short Ver. | いとうかなこ | A♭ Minor | 9 | 1A | 167 BPM | ||
| Striving Rabbit | Keiji Inai | E Minor | 4 | 9A | 130 BPM | ||
| Deep In Abyss - Instrumental Version | Miyu Tomita, Mariye Ise | F♯ Minor | 8 | 11A | 135 BPM | ||
| A Common Scabbard (Battle) | 篠田大介 | C Minor | 2 | 5A | 66 BPM | ||
| 東方萃夢想 | Melodic Taste | E♭ Minor | 5 | 2A | 82 BPM | ||
| beautiful Emperor | Koutarou Nakagawa | D Minor | 7 | 7A | 99 BPM | ||
| 徒花ネクロマンシー - Instrumental ver.cho | フランシュシュ | G Minor | 6 | 6A | 130 BPM | ||
| 恋~口づけまでの距離[メインテーマ] | eyelis | G Major | 2 | 9B | 72 BPM | ||
| Eye of The Storm | Asami Tachibana | A Minor | 7 | 8A | 142 BPM | ||
| ONENESS | アイドルマスター(中村繪里子・山崎はるか・大橋彩香), Eir Aoi, アフィリア・サーガ, angela, いとうかなこ, Wake Up,Girls!, 小野賢章, OLDCODEX, Eri Kitamura, 栗林みな実, GRANRODEO, 黒崎真音, ZAQ, JAM Project, sweet ARMS, 鈴木このみ, STAR☆ANIS, 谷本貴義, 田村ゆかり, 茅原実里, T.M.Revolution, 仲谷明香, 流田Project, 橋本仁, fhána, FLOW, petit milady, 堀江由衣, Sachika Misawa, Nana Mizuki, Suzuko Mimori, Mamoru Miyano, μ's, May'n, ゆいかおり(小倉 唯&石原夏織), 悠木碧, 吉田仁美, LiSA, 和田光司 | B Major | 5 | 1B | 83 BPM | ||
| 無何有の郷 ~ Deep Mountain | ZUN, 交響アクティブNEETs | A Minor | 5 | 8A | 80 BPM | ||
| DAEMON X MACHINA | Rio Hamamoto | E Minor | 8 | 9A | 97 BPM | ||
| Asticassia | Takashi Ohmama | E Major | 3 | 12B | 89 BPM | ||
| 『怪物事変』メインテーマ | 森 悠也 | C Minor | 4 | 5A | 76 BPM | ||
| Copied City | 帆足圭吾 | F Minor | 7 | 4A | 88 BPM | ||
| GAME OVER | いとうかなこ | G Major | 9 | 9B | 150 BPM | ||
| 色彩 ~訣別の時来たれり~ (Solomon ver.) | Fate/Grand Order | G Major | 8 | 9B | 162 BPM | ||
| 「戦場ヶ原、蕩れ」 | 物語シリーズ | E Major | 2 | 12B | 83 BPM | ||
| 常盤台女子寮 | 井内舞子 | G Major | 2 | 9B | 95 BPM | ||
| アラード | Middleisland | A Minor | 9 | 8A | 152 BPM | ||
| はじまりの歌 | いとうかなこ | B♭ Major | 6 | 6B | 96 BPM |