Sei Concerti in sette parte per due violini e violoncello obligato, con in piu due violini, un tenore e basso continuo, Concerto grosso No. 1 in F minor: I. Grave by Alessandro Scarlatti, Europa Galante, Fabio Biondi Song Details

"Sei Concerti in sette parte per due violini e violoncello obligato, con in piu due violini, un tenore e basso continuo, Concerto grosso No. 1 in F minor: I. Grave" by Alessandro Scarlatti, Europa Galante, Fabio Biondi had its release date on January 1, 2002. The duration of This song is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Sei Concerti in sette parte per due violini e violoncello obligato, con in piu due violini, un tenore e basso continuo, Concerto grosso No. 1 in F minor: I. Grave's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 40 in A & D Scarlatti - Concerti e Sinfonie by Fabio Biondi. The popularity of Sei Concerti in sette parte per due violini e violoncello obligato, con in piu due violini, un tenore e basso continuo, Concerto grosso No. 1 in F minor: I. Grave is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Sei Concerti in sette parte per due violini e violoncello obligato, con in piu due violini, un tenore e basso continuo, Concerto grosso No. 1 in F minor: I. Grave by Alessandro Scarlatti, Europa Galante, Fabio Biondi is Vivace (lively and fast), since this song has a tempo of 174 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.

Music Key

E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 5%
Loudness: -23.785 dB
Acousticness: 63%
Danceability: 8%
Energy: 5%
Instrumentalness: 81%
Liveness: 9%
Loudness: 60%
Speechiness: 4%
Valence: 4%

Recommendations

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Stabat mater: I. Stabat mater dolorosa	Alessandro Scarlatti, Emmanuelle De Negri, Paul Figuier, Les Accents, Thibault Noally	B Minor	1	10A	97 BPM
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Sonata in D Minor, Op. 2, No. 2: III. Largo	Benedetto Marcello, Dan Laurin, Parnassus Avenue	E Major	0	12B	78 BPM
Scarlatti, A: Concerto grosso in sette parti: No. 6 in E Major: I. Allegro	Alessandro Scarlatti, Europa Galante, Fabio Biondi	B♭ Major	2	6B	102 BPM
Sinfonia No. 6 in G Minor, Op. 5: III. Allegro	Johann Adolf Hasse, Le Concert de l'Hostel Dieu, Franck-Emmanuel Comte	D♭ Major	3	3B	120 BPM
Psyche, Act I Scene 1: Entry of Envy	Matthew Locke, Ensemble Correspondances, Sébastien Daucé	D♭ Major	1	3B	122 BPM
Trio Sonatas, Op. 2, Trio Sonata No. 1 in E Minor: I. Adagio	Jean-Joseph Cassanéa De Mondonville, Ensemble Diderot, Johannes Pramsohler	C Major	1	8B	97 BPM
Symphony in C Major, J-C 4: II. Andante e affettuoso	Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon	F♯ Major	1	2B	137 BPM
Introduttione IV in G Major, Op. 4 No. 4: II. Andante	Pietro Locatelli, Fabio Biondi, Europa Galante	A♭ Major	1	4B	123 BPM
Sonata in G Minor, Op. 2, No. 3: I. Adagio	Benedetto Marcello, Collegium Pro Musica	F♯ Minor	1	11A	80 BPM
Concerto in A Major, Op.7, No.2: IV. Allegro	George Frideric Handel, Academy of Ancient Music, Richard Egarr	A♭ Major	0	4B	85 BPM
Membra Jesu nostri, BuxWV 75: II. Ad genua. Sonata in tremulo	Dietrich Buxtehude, Phantasm, Daniel Hyde	D Major	0	10B	93 BPM
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: II. Allegro	Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau	A♭ Minor	2	1A	131 BPM
Concerto grosso No. 10 in C Major, Op. 6: I. Preludio (Andante largo)	Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Alba Roca	B Major	2	1B	75 BPM
Viola da Gamba Suite in D Major: VI. Adagio	Carl Friedrich Abel, Paolo Pandolfo	D♭ Major	0	3B	95 BPM
Flute Concerto No. 2 in C Minor: II. Allemande	Michel Pignolet de Montéclair, Barthold Kuijken, Wieland Kuijken, Robert Kohnen	G Minor	0	6A	78 BPM
First Sonata, in D Major: I. Sicilienne	Joseph Bodin de Boismortier, Claire Guimond, Luc Beauséjour	C Major	1	8B	122 BPM
Chacony in G	John Blow, Musica Antiqua Köln, Reinhard Goebel	F♯ Major	2	2B	120 BPM
Sonata In C Major, RV 779: Largo e cantabile	Gail Hennessy & Nicholas Parle	A♭ Minor	0	1A	80 BPM
Sonate No.5 (Six Sonates en symphonies op. 3): 2. Aria: Gratioso	Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski	F♯ Minor	0	11A	106 BPM
Concerto pour flûte, violon, [violoncelle], cordes et basse continue en la majeur - Gratioso	Arion Ensemble	A♭ Major	0	4B	116 BPM