Spoken Word, Edward R. Murrow's ' "December 24, 1942" was released on its scheduled release date, 1966. With This song being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 25 in A Reporter Remembers, Vol. 1: The War Years by Spoken Word, Edward R. Murrow. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, December 24, 1942's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of December 24, 1942 by Spoken Word, Edward R. Murrow is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| This Was Their Finest Hour | Winston Churchill | B Major | 2 | 1B | 171 BPM | ||
| Interview part 1 | Jim Gaffigan | C Major | 3 | 8B | 172 BPM | ||
| Track 2 - The Sirens of Time Part 1 | Doctor Who, Nicholas Briggs, Peter Davison, Colin Baker, Sylvester McCoy | B Major | 2 | 1B | 77 BPM | ||
| The Relique | Richard Burton | G Major | 1 | 9B | 103 BPM | ||
| Hello Love | Garrison Keillor, Philip Brunelle, Minnesota Orchestra | C Major | 1 | 8B | 137 BPM | ||
| The Chimes of Midnight, Pt. 1, Track 4 | Doctor Who, Robert Shearman, Paul McGann, India Fisher | F Minor | 5 | 4A | 63 BPM | ||
| November 26, 1953 (Reasons for National Thanksgiving) | Edward R. Murrow | E Major | 3 | 12B | 55 BPM | ||
| Retsil Divad | Chris Barrie | B Minor | 1 | 10A | 181 BPM | ||
| The Case of the Baby-Baby and the Evil Glucksey, Pt. 2 | Sean William, Gordon C. Gauthier, Scott Hull | C Major | 2 | 8B | 83 BPM | ||
| Easy | Nik_Poetry | A Major | 2 | 11B | 121 BPM | ||
| My Boy Jack | Rudyard Kipling, Ralph Fiennes | C Major | 1 | 8B | 113 BPM | ||
| 20,000 Gluckseys Under The Sea (Part of The Baby-Baby, Evil Glucksey Cartoon Adventure Series) | Sean William, Gordon C. Gauthier, Scott Hull | B Minor | 3 | 10A | 123 BPM | ||
| Success Is Counted Sweetest | Emily Dickinson | E♭ Major | 2 | 5B | 60 BPM | ||
| Introduction to the Pullen Song | Michael Harris | F♯ Minor | 3 | 11A | 93 BPM | ||
| The One Who Stayed | Shel Silverstein | G Major | 1 | 9B | 35 BPM | ||
| At the Dead of Night | Children's Bedtime Stories | A♭ Major | 1 | 4B | 105 BPM | ||
| Cross Over | PROSPERITY MELODY SINGER | F♯ Minor | 7 | 11A | 141 BPM | ||
| Academy Award (Light Entertainment Awards) | Stanley Black | G Major | 4 | 9B | 83 BPM | ||
| Giant Cockroaches | Chris Barrie | B♭ Minor | 0 | 3A | 82 BPM | ||
| Marian Anderson Visiting the 24th Infantry Division - Remastered | Not Applicable, Marian Anderson, Edward R. Murrow | C Minor | 1 | 5A | 72 BPM | ||
| In the Middle of No-Where | Childrens Corner | D Major | 2 | 10B | 112 BPM | ||
| 46.02.24 - I First Came To England | Edward R. Murrow | A♭ Major | 2 | 4B | 88 BPM | ||
| No Space Here at All | Children's Bedtime Stories | D♭ Major | 3 | 3B | 134 BPM | ||
| Johnny Takes a Dare | Alfred Hitchcock | G Major | 1 | 9B | 122 BPM | ||
| Render Unto Caesar That Which Is Caesar’s | Spiritual Unfoldment with John Butler | D♭ Major | 1 | 3B | 90 BPM |