Royal Philharmonic Orchestra's ' "THE FOUR SEASONS OP. 8: THE SUMMER: PRESTO: IMPETUOUS SUMMER STORM" was released on its scheduled release date, September 21, 2004. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. THE FOUR SEASONS OP. 8: THE SUMMER: PRESTO: IMPETUOUS SUMMER STORM's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 83 in A BAROQUE FESTIVAL by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, THE FOUR SEASONS OP. 8: THE SUMMER: PRESTO: IMPETUOUS SUMMER STORM's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of THE FOUR SEASONS OP. 8: THE SUMMER: PRESTO: IMPETUOUS SUMMER STORM by Royal Philharmonic Orchestra is Vivace (lively and fast), since this song has a tempo of 159 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| L'amico Fritz / Act 3: Intermezzo | Pietro Mascagni, Berliner Philharmoniker, Herbert von Karajan | G Minor | 1 | 6A | 62 BPM | ||
| Telling Tales | Ben Bartlett | G Minor | 0 | 6A | 89 BPM | ||
| 6 Cello Suites, No. 1 in G Major, BWV 1007: I. Prélude | Johann Sebastian Bach, Jiří Bárta | D Major | 5 | 10B | 134 BPM | ||
| Dance Of The Knights - from "Wednesday: Season 2" | Wednesday Addams, Nevermore Academy Orchestra, Jacob Braun | E Minor | 4 | 9A | 98 BPM | ||
| Dona Nobis Pacem 2 | Max Richter, Mari Samuelsen, Konzerthausorchester Berlin, Jonathan Stockhammer | A Minor | 3 | 8A | 98 BPM | ||
| Sonate No. 23 in F Minor, Op. 57 "Appassionata": III. Allegro ma non troppo | Ludwig van Beethoven, Plamena Mangova | B♭ Minor | 2 | 3A | 137 BPM | ||
| Suite bergamasque, L. 75: III. Clair de lune | Claude Debussy, Philippe Entremont | C Minor | 2 | 5A | 65 BPM | ||
| Blumenduett - Lakmé | Léo Delibes, Alain Lombard, Danielle Millet, Mady Mesplé, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 130 BPM | ||
| Die vier Jahreszeiten, Op. 8: No. 1, Frühling | Baroque Festival Orchestra, Alberto Lizzio, Alexander Pervomaysky | F Major | 3 | 7B | 76 BPM | ||
| Jazz Suite No. 2: 6. Waltz II | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | C Minor | 2 | 5A | 89 BPM | ||
| Grace Penn VP | Marcelo Zarvos | D♭ Major | 1 | 3B | 171 BPM | ||
| Klavierkonzert Nr. 21 C-Dur, K. 467, "Elvira Madigan": 2. Andante (Elvira Madigan): II. Andante | Wolfgang Amadeus Mozart, Jenő Jandó, Concentus Hungaricus, András Ligeti | F Major | 0 | 7B | 126 BPM | ||
| Going Hunting | George Fenton, Leslie Pearson | A♭ Minor | 2 | 1A | 99 BPM | ||
| Les Beautés Du Diable | François Dompierre, Angèle Dubeau | E Minor | 1 | 9A | 132 BPM | ||
| Radetzky-Marsch, Op. 228 | Johann Strauss I, Wiener Philharmoniker, Yannick Nézet-Séguin | A Major | 4 | 11B | 100 BPM | ||
| Carmen, Opera Suite No. 1: VI. Avec la garde montante, Act 1 | London Festival Orchestra Alfred Scholz | A Major | 3 | 11B | 127 BPM | ||
| Fanfare for the Common Man | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | B♭ Major | 2 | 6B | 73 BPM | ||
| I See The Light - From "Tangled" | Royal Philharmonic Orchestra | F Major | 2 | 7B | 94 BPM | ||
| Piano Concerto in G Major, K. 107 No. 2 (After J.C. Bach W.A 3): I. Allegro | Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra | G Major | 2 | 9B | 133 BPM | ||
| Adagio for Strings, Op. 11 | Samuel Barber, Gustavo Dudamel, Wiener Philharmoniker | B♭ Minor | 1 | 3A | 91 BPM | ||
| The Impossible Crime | Nathan Klein, F. Keane | C Minor | 4 | 5A | 183 BPM | ||
| Argentic | Nicolas Martin | A Minor | 3 | 8A | 119 BPM | ||
| Hidden Photographer | Nathan Klein, F. Keane | G Minor | 2 | 6A | 170 BPM | ||
| The Big Country: Main Theme | Royal Philharmonic Orchestra | G Major | 2 | 9B | 132 BPM | ||
| An der schönen blauen Donau, Walzer, Op. 314 | Johann Strauss II, Christian Thielemann, Wiener Philharmoniker | A Major | 4 | 11B | 100 BPM |