"Casta diva... Ah ! Bello a me ritorna : Norma" by Vincenzo Bellini, Maria Callas had its release date on 2011. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "Opera Extracts : La Wally, Tosca, La Traviata...". In this album, this song's track order is #12. Furthermore, we believe that the track originated from France. Casta diva... Ah ! Bello a me ritorna : Norma is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Casta diva... Ah ! Bello a me ritorna : Norma by Vincenzo Bellini, Maria Callas having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bellini: Norma, Act 2: "In mia man alfin tu sei" (Norma, Pollione) | Vincenzo Bellini, Maria Callas, Franco Corelli, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 1 | 7B | 174 BPM | ||
| La Wally / Act 1: Ebben? Ne andrò lontana | Alfredo Catalani, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | E Minor | 1 | 9A | 73 BPM | ||
| Wagner: Die Walküre, Act 1: "Winterstürme wichen dem Wonnemond" (Siegmund) | Richard Wagner, Plácido Domingo, Daniel Barenboim, Staatskapelle Berlin | D Minor | 2 | 7A | 113 BPM | ||
| Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre" | Charles Gounod, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | C Major | 2 | 8B | 77 BPM | ||
| Faust, CG 4 / Act 3: "Salut! demeure chaste et pure" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | A♭ Major | 2 | 4B | 109 BPM | ||
| Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | ||
| La traviata / Act I: "Si ridesta in ciel l'aurora" | Giuseppe Verdi, Anna Netrebko, Rolando Villazón, Helene Schneiderman, Herman Wallen, Salvatore Cordella, Paul Gay, Wiener Philharmoniker, Carlo Rizzi, Wiener Staatsopernchor, Rupert Huber | A♭ Major | 4 | 4B | 103 BPM | ||
| La forza del destino: Pace, pace, mio Dio | Giuseppe Verdi, Leontyne Price, Thomas Schippers, RCA Italiana Opera Orchestra | C Minor | 1 | 5A | 102 BPM | ||
| Rigoletto, Act III: Bella figlia dell'amore | Giuseppe Verdi, Oksana Volkova, Francesco Demuro, Nadine Sierra, Dmitri Hvorostovsky, Kaunas City Symphony Orchestra, Constantine Orbelian | D♭ Major | 2 | 3B | 68 BPM | ||
| Bellini: La sonnambula, Act 2: "Ah! non credea mirarti" (Amina) | Vincenzo Bellini, Diana Damrau, Gianandrea Noseda, Orchestra Teatro Regio Torino | C Major | 0 | 8B | 139 BPM | ||
| Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Barcarolle) [Nicklausse, Giulietta, Chorus] | Jacques Offenbach, Sylvain Cambreling, Ann Murray, Jessye Norman, Orchestre De L'Opéra National Du Théatre Royal De La Monnaie, Bruxelles | D Major | 0 | 10B | 79 BPM | ||
| Werther / Act 3: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 80 BPM | ||
| Gianni Schicchi (O mio bambino caro) | Katia Ricciarelli | A♭ Major | 2 | 4B | 79 BPM | ||
| Gounod: Faust, Act 3: "Je voudrais bien savoir" - Chanson. "Il était un roi de Thulé" (Marguerite) | Charles Gounod, Michel Plasson, Cheryl Studer, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Die lustige Witwe (The Merry Widow) (2000 - Remaster): XIV. Lippen schweigen (Danilo/Hanna) | Franz Lehár, Eberhard Waechter/Elisabeth Schwarzkopf/Philharmonia Orchestra/Lovro von Matacic, Eberhard Waechter, Lovro Von Matacic, Philharmonia Orchestra | G Major | 1 | 9B | 85 BPM | ||
| Wagner: Tristan und Isolde, Act III: Liebestod. "Mild und leise wie er lächelt" (Isolde) | Richard Wagner, Jessye Norman, Klaus Tennstedt, London Philharmonic Orchestra | B Major | 2 | 1B | 82 BPM | ||
| Handel: Serse, HWV 40, Act 1: Arioso. "Ombra mai fù" (Serse) | George Frideric Handel, Les Arts Florissants, William Christie, Anne Sofie von Otter | E Major | 1 | 12B | 89 BPM | ||
| La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | ||
| Norma / Act 1: Deh! proteggimi, o Dio! | Vincenzo Bellini, Montserrat Caballé, Welsh National Opera Orchestra, Richard Bonynge | D♭ Major | 0 | 3B | 170 BPM | ||
| Malinconia, ninfa gentile | Vincenzo Bellini, Cecilia Bartoli, James Levine | F Major | 3 | 7B | 107 BPM | ||
| Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) | Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D Minor | 1 | 7A | 168 BPM | ||
| Don Pasquale / Act 3: "Com'è gentil...tornami a dir" | Gaetano Donizetti, Juan Diego Flórez, Andrea Menafra, Rossella Perrone, Giulio Patara, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | A Major | 1 | 11B | 67 BPM | ||
| Les pêcheurs de perles, WD 13 / Act 1: "C'est toi"... "Au fond du temple saint" | Georges Bizet, Gregory Cross, Gino Quilico, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 3 | 9B | 140 BPM | ||
| Le nozze di Figaro, K. 492, Act II: No. 12, Voi che sapete – Bravo! che bella voce! | Wolfgang Amadeus Mozart, Frederica von Stade, Kiri Te Kanawa, Lucia Popp, London Philharmonic Orchestra, Sir Georg Solti | B♭ Major | 0 | 6B | 95 BPM | ||
| Giordano : Andrea Chénier : Act 4 "Come un bel dì di maggio" [Andrea Chénier] | Umberto Giordano, José Cura, Philharmonia Orchestra | D♭ Minor | 2 | 12A | 84 BPM |