Embar Kannan, Neyveli Narayanan, R. Vedavalli, B. S. Purusthomman's ' "Guruguhaya - Sama - Adi" was released on its scheduled release date, May 12, 2006. This song is about six minutes long, preciously at 5:48, making this song fairly long compared to other songs. The track order of this song in R. Vedavalli's "Guruguho Jayati" album is number 7 out of 15. On top of that, India appears to be the country where this track was created. Based on our statistics, Guruguhaya - Sama - Adi's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Guruguhaya - Sama - Adi by Embar Kannan, Neyveli Narayanan, R. Vedavalli, B. S. Purusthomman to be Allegro (fast, quick, and bright) because the track has a tempo of 147 BPM, a half-time of 74BPM, and a double-time of 294 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sri Ganapathi | A. Kanyakumari | F Major | 8 | 7B | 107 BPM | ||
| Vanajaksha (Behag Varnam) [Veena] | Ramana Balachandhran | D Major | 3 | 10B | 66 BPM | ||
| Manasi Dussahamayyo - Ahiri - Misra Chapu | N. J. Nandini | B Major | 5 | 1B | 149 BPM | ||
| Thirupugazh - Violin | Kunnakudi Vaidyanathan, Valayappatti A. R. Subramaniam | E Minor | 7 | 9A | 177 BPM | ||
| Alarippu - Kalyani - Mishra Chappu - With Tirupugazh | O.S. Arun, M.S. Sukhi | F Minor | 10 | 4A | 104 BPM | ||
| Mohini Bhasmasura (Dance Music) | Ghantasala | F♯ Major | 8 | 2B | 117 BPM | ||
| Introduction | N. Ravikiran, Embar Kannan, K.V. Prasad, S. Karthick | E Major | 6 | 12B | 101 BPM | ||
| Tevaram - Yadukula Kamboji - Rupakam - | Sankari Krishnan, Embar Kannan, Guruprasad, J. Vaithyanathan | C Major | 3 | 8B | 173 BPM | ||
| Triveni | Embar Kannan | C Major | 7 | 8B | 180 BPM | ||
| Jagadananda Karaka | Tyagaraja | F Minor | 0 | 4A | 84 BPM | ||
| Meithaan Arumpi | Pon Sundaralingam | F Minor | 2 | 4A | 89 BPM | ||
| Rahuvamsa - Kadana Kuthukalam - Adi | Rajhesh Vaidhya | G Major | 8 | 9B | 100 BPM | ||
| Thaye Yesoda - Flute | N. Ramani | A♭ Major | 4 | 4B | 157 BPM | ||
| Tillana - Raga Hamir Kalyani feat. Akshay Anantapadmanabhan | Ambi Subramaniam | E♭ Major | 3 | 5B | 86 BPM | ||
| Bho Shamboo - Revathi - Adi | Delhi V. Krishnamurthy | E Major | 9 | 12B | 93 BPM | ||
| Tillana - Paras - Adi (Live) | Ranjani-Gayatri, H. N. Baskar, K. Arun Praksh | C Minor | 4 | 5A | 117 BPM | ||
| Innam En Manam - Charukesi - Adi | Lalgudi G. Jayaraman | G Major | 5 | 9B | 125 BPM | ||
| Sarasasamadhana | N. Ramani | E♭ Major | 6 | 5B | 137 BPM | ||
| Kriti: "Mīnākṣi Me Mudam" / Madhyamakāla Sāhitya (1) | Ranganayaki Rajagopalan, Raja Rao | A♭ Major | 3 | 4B | 153 BPM | ||
| Sadhinchane - Maharajapuram Santhanam | Maharajapuram Santhanam | B Major | 7 | 1B | 142 BPM | ||
| Azhagudeivamaga - Kavadi Chindhu - Adi | Sankari Krishnan, Embar Kannan, Anirudh Athreya, J. Vaithyanathan | B Major | 7 | 1B | 81 BPM | ||
| Janani Ninnuvina | M.S. Gopalakrishnan | F♯ Minor | 4 | 11A | 160 BPM | ||
| Bho Shambo | Sudha Ragunathan | D♭ Major | 5 | 3B | 160 BPM | ||
| Sivanai Nambaadhey | Sounds of Isha | C Major | 6 | 8B | 106 BPM | ||
| Sri Dakshinamurthi Manthra Mathruka Sthavam | Bombay Sisters | B Major | 4 | 1B | 124 BPM |