Nina Mehta, Rajendra Mehta's ' "Commentary / Do Din Ki Zindagi" was released on its scheduled release date, January 1, 1984. This song is about six minutes long, preciously at 6:19, making this song fairly long compared to other songs. There are a total of 8 in the song's album "Nazrana". In this album, this song's track order is #2. Furthermore, we believe that the track originated from India. In terms of popularity, Commentary / Do Din Ki Zindagi is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Commentary / Do Din Ki Zindagi by Nina Mehta, Rajendra Mehta having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nindiya Rani Aaari Aaja Nindiya | Ravindra Jain, Kavita Krishnamurthy | E Major | 6 | 12B | 176 BPM | ||
| Nahin Main Yeh Nahin Kehta | Nina Mehta, Rajendra Mehta | F Major | 4 | 7B | 121 BPM | ||
| Tu Mere Saath Na Chal | Ahmed Hussain, Mohammed Hussain | E♭ Major | 4 | 5B | 153 BPM | ||
| Apna Gham Leke Kahin | Chandan Dass | G Minor | 4 | 6A | 112 BPM | ||
| Pital Ki Mori Gagri | Parveen Sultana, Minoo Purushottam | D Major | 4 | 10B | 80 BPM | ||
| Hamari Sanson Mein Aaj Tak Woh | Noor Jahan | B♭ Major | 3 | 6B | 99 BPM | ||
| Mile Kisise Nazar To | Ashok Khosla | A Minor | 5 | 8A | 123 BPM | ||
| O Gore Gore Mukhde Pe | Shamshad Begum | A♭ Major | 5 | 4B | 179 BPM | ||
| Har Ek Baat Pe Kehte Ho | Ahmed Hussain, Mohammed Hussain | A♭ Major | 5 | 4B | 117 BPM | ||
| Zara Si Baat Pe | Talat Aziz | F Major | 3 | 7B | 127 BPM | ||
| Ajnabi Shehar Mein | Ashok Khosla | F♯ Minor | 4 | 11A | 116 BPM | ||
| Ghazal Ke Phool | Bhupinder Singh, Mitali Singh | E Major | 5 | 12B | 133 BPM | ||
| Commentry Tabassum And Pyar Diwana Hota Hai | Tabassum, Kishore Kumar | F Major | 6 | 7B | 124 BPM | ||
| Do Nain Mile To Phool Khile | Asha Bhosle, Mahendra Kapoor, Shakeel Badayuni | C Major | 8 | 8B | 83 BPM | ||
| Mere Chhail Chhabile Romeo | Sm. Kaushalya, Rami, Romeo | A Minor | 4 | 8A | 129 BPM | ||
| Dil Na Milte To Mulakaat | Chandan Das | B♭ Major | 5 | 6B | 130 BPM | ||
| Woh Subah Kabhi To | Mohammed Aziz | A♭ Major | 4 | 4B | 117 BPM | ||
| Dhadak Dhadak Tere Bin Mera Jiyara | Suraiya | D♭ Major | 1 | 3B | 66 BPM | ||
| Gaao Mere Man | K. J. Yesudas, Asha Bhosle | F Major | 4 | 7B | 203 BPM | ||
| Chal Musafir Chal-Pradeep | Pradeep Kumar | D♭ Minor | 2 | 12A | 107 BPM | ||
| Pehle Bhi Majbooriyan Thi | Chandan Dass | A Major | 5 | 11B | 105 BPM | ||
| Andhe-ki-laathitu Hi Hai | K. L. Saigal | F♯ Major | 3 | 2B | 102 BPM | ||
| Bhari Barsat Mein Dil Jalaya | Hemlata | D Minor | 5 | 7A | 83 BPM | ||
| Matwali Naar Thumak Thumak | Mukesh | E♭ Major | 3 | 5B | 103 BPM | ||
| Naam Aapka Hothon Pe Hai | Rehana | E Major | 5 | 12B | 143 BPM |