"The Chase" by Bjørn Riis had its release date on November 3, 2014. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Bjørn Riis's "Lullabies in a Car Crash" album is number 5 out of 6. In terms of popularity, The Chase is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Chase by Bjørn Riis to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Getaway | Bjørn Riis | A Minor | 6 | 8A | 174 BPM | ||
| Never Coming Home | Airbag | A Minor | 3 | 8A | 138 BPM | ||
| River | Soen | B Minor | 4 | 10A | 85 BPM | ||
| Forever Comes to an End | Bjørn Riis | F♯ Minor | 8 | 11A | 183 BPM | ||
| Garden of Sin | Blackfield | E Minor | 3 | 9A | 134 BPM | ||
| Signs in the sand, Pt. 1 | Siiilk | C Major | 9 | 8B | 98 BPM | ||
| One of Us is Missing | Throes Of Dawn | A Minor | 5 | 8A | 120 BPM | ||
| Blackfield - Remastered | Blackfield | B Minor | 7 | 10A | 82 BPM | ||
| Chequered Light Buildings | Gazpacho | G Minor | 5 | 6A | 146 BPM | ||
| Never Escape the Storm | Blind Ego | D Major | 6 | 10B | 120 BPM | ||
| Surreal | Amarok | A Major | 5 | 11B | 115 BPM | ||
| White Paper | Marillion | F♯ Minor | 4 | 11A | 173 BPM | ||
| Last Lunch | Nosound | B♭ Minor | 4 | 3A | 105 BPM | ||
| PRIDE | Millenium | A Minor | 6 | 8A | 120 BPM | ||
| The Song Of All Those Distant | Amarok | B Minor | 5 | 10A | 125 BPM | ||
| Shine on Me | Yogi Lang | F Major | 5 | 7B | 140 BPM | ||
| Every Second Every Hour | Bjørn Riis | E Minor | 3 | 9A | 160 BPM | ||
| La Silla | Steve Rothery | D Major | 3 | 10B | 170 BPM | ||
| No Man's Land | The Pineapple Thief | C Minor | 2 | 5A | 120 BPM | ||
| Be Hard on Yourself (II) Lust for Luxury | Marillion | B♭ Minor | 6 | 3A | 153 BPM | ||
| End of the World | Blackfield | A Minor | 5 | 8A | 148 BPM | ||
| Serenity | Arena | E Minor | 3 | 9A | 62 BPM | ||
| Shadows | Mostly Autumn | C Major | 6 | 8B | 77 BPM | ||
| WAIT | Pain of Salvation | D Minor | 7 | 7A | 108 BPM | ||
| Man In The Middle (feat. Steve Rothery) | Collage, Steve Rothery | D♭ Major | 4 | 3B | 117 BPM |