Hiroshi Sato's ' "LOVE AND PEACE" was released on its scheduled release date, 1982. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 11 in Awakening by Hiroshi Sato. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. The popularity of LOVE AND PEACE is currently below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of LOVE AND PEACE by Hiroshi Sato is Presto (very, very fast), since this song has a tempo of 180 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite No. 6, "Scenes de feerie" -I. Cortege | Toke Civic Wind Orchestra, Hiroshi Sato | B♭ Major | 3 | 6B | 97 BPM | ||
| 避暑地の出来事 | 藤丸バンド | A Major | 5 | 11B | 84 BPM | ||
| サンタモニカの夜明け - 2021リマスター | 小林泉美 & Flying Mimi Band | C Major | 6 | 8B | 130 BPM | ||
| Breakin' Blue | Taeko Onuki | D Major | 7 | 10B | 124 BPM | ||
| DAYTONA BEACHWAY | Masaru Imada, 今田あきら, Toshiyuki Honda | D Minor | 7 | 7A | 115 BPM | ||
| All-Night Rendezvous | Toshiyuki Honda, Seawind | D Minor | 5 | 7A | 89 BPM | ||
| WHO ARE YOU? - 2022 Remaster | 芳野藤丸 | B♭ Major | 4 | 6B | 132 BPM | ||
| Can't Buy Me Love | Hiroshi Sato | A Minor | 7 | 8A | 121 BPM | ||
| 海と少年 | Taeko Onuki | D Major | 7 | 10B | 105 BPM | ||
| 夏の光に | Sumiko Yamagata | F Major | 5 | 7B | 131 BPM | ||
| Love Was Really Gone - 2018 Remaster | Makoto Matsushita | E Minor | 7 | 9A | 87 BPM | ||
| Silent Screamer | Taeko Onuki | D Major | 5 | 10B | 141 BPM | ||
| Tarde | Azymuth | C Major | 4 | 8B | 128 BPM | ||
| Let It Go | Pages | B♭ Major | 4 | 6B | 96 BPM | ||
| THE FAR EAST | KANGAROO | D Minor | 7 | 7A | 173 BPM | ||
| 最後の楽園 | Haruomi Hosono | F Major | 5 | 7B | 81 BPM | ||
| Nanatsu No Ko | Hiroshi Sato | G Major | 3 | 9B | 106 BPM | ||
| Coral Eyes | Shigeharu Mukai | C Major | 7 | 8B | 136 BPM | ||
| Seraphim (Angels) | caldera | B♭ Major | 7 | 6B | 80 BPM | ||
| パーティーにひとり | Yurie Kokubu | A♭ Major | 6 | 4B | 79 BPM | ||
| 哀しみは夜の向こう | 間宮貴子 | E Minor | 5 | 9A | 91 BPM | ||
| サン・ベイシング | Hiroshi Sato | D Major | 7 | 10B | 120 BPM | ||
| Cry Baby Cry | Masayoshi Takanaka | A Minor | 3 | 8A | 127 BPM | ||
| スティル・ビー・バップ | Terumasa Hino | D♭ Major | 6 | 3B | 126 BPM | ||
| Business Man, Pt. 2 - Night Visions - - 2018 Remaster | Makoto Matsushita | B Minor | 8 | 10A | 125 BPM |