On July 15, 2022, the song "Aangan Khushiya Chhai" was released by Rajendra Jain, Rashmi, Pushpa. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rajendra Jain, Rashmi, Pushpa's "Jaapa Ke Geet" album is number 8 out of 8. On top of that, India appears to be the country where this track was created. The popularity of Aangan Khushiya Chhai is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Aangan Khushiya Chhai by Rajendra Jain, Rashmi, Pushpa to be Vivace (lively and fast) because the track has a tempo of 175 BPM, a half-time of 88BPM, and a double-time of 350 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tumse Laagi Lagan | Rajendra Jain | D Minor | 6 | 7A | 115 BPM | ||
| Dayar Sagar Lokenath | Mahesh Ranjan Shome | E♭ Major | 5 | 5B | 149 BPM | ||
| Om Jai Jagdish Hare, Swami Jai Jagdish Hare | Shyam Saajan, Supriya | G Major | 2 | 9B | 132 BPM | ||
| Khuje Firi Je Tomay | Siam Al Mahmud | D Major | 4 | 10B | 132 BPM | ||
| Hare Krishna Vol 2 Part 2 - Original | Bitu Samajpati, NA | D♭ Major | 5 | 3B | 104 BPM | ||
| Bhimrupi Maharudra Stotra | Sameer Vijaykumar | D♭ Major | 4 | 3B | 163 BPM | ||
| Aavelo Mankho Sudharo Guruji Mara | Birju Barot | B♭ Minor | 7 | 3A | 78 BPM | ||
| Vipatti Naash Mantra | Jitender Singh | E♭ Major | 6 | 5B | 91 BPM | ||
| Jokhon Tomhar Keu Chelo Na | Parikshit Bala | E♭ Major | 5 | 5B | 154 BPM | ||
| Chaubeesi Ki Aarti | Rajendra Jain | G Major | 7 | 9B | 78 BPM | ||
| Dattaguru Jay Duttaguru | Swapnil Bandodkar | D♭ Minor | 8 | 12A | 88 BPM | ||
| Ramkrishna Namer Tari | Mahesh Ranjan Shome | E♭ Minor | 6 | 2A | 80 BPM | ||
| Bad Sukh Saar | Rajni Pallavi | E♭ Major | 5 | 5B | 100 BPM | ||
| Khelat Basant Hori | Hita Ambrish | B Minor | 8 | 10A | 80 BPM | ||
| Darshan De Majala | Mandar Apte | B Minor | 6 | 10A | 125 BPM | ||
| Shree Vishwambhari Stuti - Mataji Ni Stuti | Bipin Sathiya, Jayshree Bhojaviya | A Major | 5 | 11B | 117 BPM | ||
| Navkar Mantra Dhun | Bhavik Haria | E♭ Minor | 5 | 2A | 95 BPM | ||
| Podaboli Kirtan (Holi Leela) | Aditi Munshi | B Major | 4 | 1B | 93 BPM | ||
| Badrinath Stuti | Naisha Joshi, Shailesh Pandya | D♭ Major | 5 | 3B | 100 BPM | ||
| Aathang Sagar Karunecha Shree Swami Samartha | Jitrandra Abhyankar | D♭ Major | 5 | 3B | 90 BPM | ||
| Goswami Tulsidas Hanuman Bahuk Vol 3 | Satish Dehra | D Major | 7 | 10B | 102 BPM | ||
| Haridwar Mathura Kashi | Sanjayraj, Pramod Medhi | E Major | 5 | 12B | 110 BPM | ||
| Aarti Ganga Maiya Ki | Rajesh Bisen | A♭ Major | 5 | 4B | 105 BPM | ||
| Gujarati Dutt Bavani | Girnar Sadhana Ashram | D♭ Major | 6 | 3B | 96 BPM | ||
| Om Jai Bhootnath Baba | Ravinder Jain, Rajendra Jain | B♭ Major | 6 | 6B | 86 BPM |