The Black Dog's ' "Tahr" was released on its scheduled release date, 1994. The duration of This song is about 3 minutes long, at 3:09. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 19 in the song's album "Spanners". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. The popularity of Tahr is currently unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Tahr by The Black Dog having a BPM of 175 with a half-time of 88 BPM and a double-time of 350 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Foxton Stop Off | The Black Dog | E♭ Minor | 4 | 2A | 92 BPM | ||
| Aesthetics Over Ethics | The Black Dog | E Major | 2 | 12B | 167 BPM | ||
| Beyond Lightning (Part 4) | Martin Nonstatic | A♭ Minor | 1 | 1A | 112 BPM | ||
| Billowy | µ-Ziq | C Major | 4 | 8B | 122 BPM | ||
| Termag | mu tate, NEXCYIA, Exzald S | A Minor | 5 | 8A | 142 BPM | ||
| Xerrox Sans Repit | alva noto | E Minor | 2 | 9A | 90 BPM | ||
| Under a Glass Bell | Patricia Wolf | G Minor | 1 | 6A | 81 BPM | ||
| Brain Jump | Ethnan Vebellen, Ethnan Vebell | B♭ Minor | 5 | 3A | 130 BPM | ||
| Chamber | Ida Urd, Ingri Høyland | E Minor | 2 | 9A | 139 BPM | ||
| Sunder | K. Leimer | D Major | 0 | 10B | 73 BPM | ||
| Claustrophobia | Chris Carter, Ian Boddy | C Major | 5 | 8B | 160 BPM | ||
| Olbers Paradox | Dopplereffekt | F Minor | 6 | 4A | 90 BPM | ||
| FI3AC2513303 | Aleksi Perälä | B Major | 5 | 1B | 160 BPM | ||
| Pyramidal | Steve Hauschildt | B Major | 4 | 1B | 58 BPM | ||
| MOSCOVIUM | Out Of Place Artefacts, Vril, Rødhåd | F Minor | 5 | 4A | 153 BPM | ||
| Gespenster | Bersarin Quartett | C Minor | 3 | 5A | 91 BPM | ||
| Last Day | Lord Of The Isles, Ellen Renton | E Minor | 1 | 9A | 173 BPM | ||
| The Remembering Self | Barker | G Major | 9 | 9B | 142 BPM | ||
| All These Worlds, Pt. II | Murcof | B♭ Minor | 2 | 3A | 120 BPM | ||
| Karnickel | Thomas Fehlmann | D Major | 5 | 10B | 110 BPM | ||
| FI3AC2513305 | Aleksi Perälä | C Major | 5 | 8B | 160 BPM | ||
| Between Them | Jan Bang, Ensemble Modern, Eivind Aarset | G Major | 2 | 9B | 145 BPM | ||
| Khords | Pandit Pam Pam | A Minor | 1 | 8A | 80 BPM | ||
| Reykjavík by the Sea | Patricia Wolf | D Major | 1 | 10B | 91 BPM | ||
| Genesis | Joachim Spieth, Markus Guentner | A♭ Major | 10 | 4B | 160 BPM |