Dolly Parton's ' "False Eyelashes" was released on its scheduled release date, May 4, 1968. The duration of This song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. False Eyelashes's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Dolly Parton's "Just Because I'm A Woman" album is number 3 out of 14. On top of that, United States appears to be the country where this track was created. Based on our statistics, False Eyelashes's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of False Eyelashes by Dolly Parton to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I'm Not So Far Away | Crystal Gayle | F Minor | 4 | 4A | 101 BPM | ||
| The Clover Saloon | Connie Converse | C Major | 1 | 8B | 99 BPM | ||
| Bottom Of The Bottle | Ira Louvin | A Major | 4 | 11B | 92 BPM | ||
| Together Always | Porter Wagoner, Dolly Parton | E Major | 5 | 12B | 91 BPM | ||
| Someday Soon | Suzy Bogguss | G Major | 5 | 9B | 115 BPM | ||
| Hillbilly Girl with the Blues | Lacy J. Dalton | B Major | 5 | 1B | 131 BPM | ||
| I Wouldn't Buy a Used Car from Him | Norma Jean | F Major | 7 | 7B | 110 BPM | ||
| (Now You See Me) Now You Don't | Lee Ann Womack | D Major | 8 | 10B | 104 BPM | ||
| Shot Full Of Love | Juice Newton | D Major | 3 | 10B | 85 BPM | ||
| Wondering | Webb Pierce | D Major | 3 | 10B | 112 BPM | ||
| Better To Find Out For Yourself | Buffy Sainte-Marie | B Minor | 6 | 10A | 115 BPM | ||
| Long Black Veil | Lefty Frizzell | E Major | 2 | 12B | 63 BPM | ||
| Do I Ever Cross Your Mind | Chet Atkins, Dolly Parton | G Major | 5 | 9B | 85 BPM | ||
| It'll Be Open Season On You | Loretta Lynn | G Major | 5 | 9B | 129 BPM | ||
| He's Solid Gone | The Carter Sisters, Mother Maybelle | C Major | 3 | 8B | 118 BPM | ||
| Infamous Angel | Iris DeMent | B♭ Major | 3 | 6B | 135 BPM | ||
| Once a Day | Connie Smith | F♯ Major | 4 | 2B | 137 BPM | ||
| Mi Vida Loca | Pam Tillis | D♭ Minor | 7 | 12A | 180 BPM | ||
| You Can't Put The City In A Country Girl | Barbara Fairchild | C Major | 5 | 8B | 117 BPM | ||
| Satin Sheets | Jeanne Pruett | D Major | 3 | 10B | 99 BPM | ||
| I'll Take My Sorrow Straight | Iris DeMent | C Major | 5 | 8B | 121 BPM | ||
| Easy's Gettin' Harder Every Day | Iris DeMent | C Major | 0 | 8B | 80 BPM | ||
| I've Got a Tiger By the Tail | Buck Owens | A♭ Major | 4 | 4B | 77 BPM | ||
| 'Til All The Lonely's Gone | Pam Tillis | D Major | 7 | 10B | 130 BPM | ||
| Where Have All The Average People Gone - Single Version | Roger Miller | A Major | 4 | 11B | 85 BPM |