"Requiem" by Angelo Milli had its release date on December 19, 2008. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 17 in the song's album "Seven Pounds (Original Motion Picture Soundtrack)". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United States. Requiem is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Requiem by Angelo Milli having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Conscience | Antonio Pinto | D♭ Minor | 2 | 12A | 125 BPM | ||
| A Commuter's Trip | Roque Baños | G Minor | 3 | 6A | 141 BPM | ||
| New Mexico - K-Pax (Original Motion Picture Soundtrack) | Ed Shearmur, Edward Shearmur | G Major | 1 | 9B | 171 BPM | ||
| Forbidden Love | Abel Korzeniowski | B Minor | 3 | 10A | 129 BPM | ||
| Arrival of the Birds | The Cinematic Orchestra, London Metropolitan Orchestra | E♭ Minor | 1 | 2A | 130 BPM | ||
| Out Of The Furnace | Dickon Hinchliffe | D Minor | 4 | 7A | 90 BPM | ||
| The Elevator | Joseph Trapanese | D Minor | 0 | 7A | 67 BPM | ||
| Together We Will Live Forever | Clint Mansell | G Minor | 0 | 6A | 76 BPM | ||
| The End Of The Line | Roque Baños | D Minor | 2 | 7A | 121 BPM | ||
| Baby | Dickon Hinchliffe | C Major | 3 | 8B | 126 BPM | ||
| The Mountain Between Us | Ramin Djawadi | G Minor | 2 | 6A | 140 BPM | ||
| Karen's Letter | Edward Shearmur | G Major | 0 | 9B | 65 BPM | ||
| The Field | Angelo Milli | C Minor | 0 | 5A | 72 BPM | ||
| Next In Line | Jeff Beal | D Minor | 3 | 7A | 82 BPM | ||
| The Barn | Deborah Lurie | F♯ Major | 1 | 2B | 73 BPM | ||
| JD Dies | Elliot Goldenthal | A♭ Major | 0 | 4B | 82 BPM | ||
| Writing the Letter | Marc Streitenfeld | C Major | 2 | 8B | 136 BPM | ||
| Life's Talent For Change | Steven Price | C Minor | 1 | 5A | 118 BPM | ||
| You Are Gonna Die | Marc Streitenfeld | E♭ Major | 1 | 5B | 84 BPM | ||
| My Name Is Robert Neville | James Newton Howard | E♭ Minor | 8 | 2A | 91 BPM | ||
| The Hours | Philip Glass | G Minor | 1 | 6A | 104 BPM | ||
| Grandes Sueños | Fernando Velázquez | E♭ Major | 0 | 5B | 137 BPM | ||
| Katrina | Steven Price | A Minor | 3 | 8A | 104 BPM | ||
| Hand on Knee | Andrew Lockington | D Major | 2 | 10B | 121 BPM | ||
| Heading To Elysium | Ryan Amon | D♭ Major | 5 | 3B | 95 BPM |