"Étude No. 3 in G-Sharp Minor, S. 141/3: La Campanella" by Rik had its release date on September 2, 2020. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Rik's "Liszt: The Romantic Period" album is number 10 out of 13. On top of that, United Kingdom appears to be the country where this track was created. Étude No. 3 in G-Sharp Minor, S. 141/3: La Campanella is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Étude No. 3 in G-Sharp Minor, S. 141/3: La Campanella by Rik to be Larghetto (rather broadly) because the track has a tempo of 66 BPM, a half-time of 33BPM, and a double-time of 132 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Carnival of the Animals: Aquarium | Camille Saint-Saëns, Isata Kanneh-Mason, Konya Kanneh-Mason, Braimah Kanneh-Mason, Ayla Sahin, Timothy Ridout, Sheku Kanneh-Mason, Adam Walker, Alasdair Malloy | A Minor | 0 | 8A | 70 BPM | ||
| Piano Concerto No. 23 in a Major, K. 488, I. Allegro | Rik, London Philharmonic Orchestra | G Major | 1 | 9B | 110 BPM | ||
| Concerto for 2 Pianos in E-Flat Major, K. 365: III. Rondo. Allegro moderato | Wolfgang Amadeus Mozart, Alfred Brendel, Imogen Cooper, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 2 | 5B | 87 BPM | ||
| Nocturne No. 2 in E-Flat Major, Op. 9 No. 2 | Frédéric Chopin, Claudio Arrau | B♭ Major | 0 | 6B | 108 BPM | ||
| Shostakovich: Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, André Cluytens, French National Radio Orchestra | C Minor | 0 | 5A | 177 BPM | ||
| Sechs Klavierstücke, Op. 118: II. Intermezzo in A Major | Johannes Brahms, Arcadi Volodos | A Major | 0 | 11B | 69 BPM | ||
| Masquerade Suite: I. Waltz | Aram Khachaturian, Kirill Kondrashin, RCA Victor Symphony Orchestra, Oscar Shumsky | C Major | 3 | 8B | 181 BPM | ||
| Sonata No. 8 para piano in C Minor, Op. 13 " Sonata pathétique " : II. Adagio cantabile | Wolf Rottmann | A♭ Major | 0 | 4B | 173 BPM | ||
| 2 Pieces, Op. Posth., B. 188: No. 1, Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
| Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, The Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
| Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
| Debussy - Arabesque | Martin Bloch | E Major | 0 | 12B | 68 BPM | ||
| Clarinet Concerto in A major, K. 622: Clarinet Concerto in A major, K. 622: II. Adagio | Various Artists, David Shifrin, New York Chamber Symphony, Gerard Schwarz | C Major | 1 | 8B | 92 BPM | ||
| Piano Concerto in A Minor, Op. 7: II. Romanze. Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 96 BPM | ||
| Bach. Cello Suite #1 in G, BWV 1007 - I. Prelude | Iris Azquinezer | G Major | 1 | 9B | 140 BPM | ||
| Main Theme (From "Schindler's List") | John Williams, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | D Minor | 2 | 7A | 134 BPM | ||
| Clari De Lune (Debussy) | Lincoln Mayorga | D♭ Major | 0 | 3B | 65 BPM | ||
| debussy-Moonlight | Paulina Loseva | D♭ Major | 1 | 3B | 75 BPM | ||
| Mozart / Arr. Grieg for Two Pianos: Piano Sonata No. 16 in C Major, K. 545 "Semplice": I. Allegro (Live) | Martha Argerich, Piotr Anderszewski | B♭ Major | 3 | 6B | 77 BPM | ||
| Sonata No. 16 in B Flat Major, II. Adagio | Maria João Pires | E♭ Major | 0 | 5B | 96 BPM | ||
| Prelude für Klavier in E Minor, Op. 28, Nr. 4 | Sylvia Capova | A Minor | 0 | 8A | 126 BPM | ||
| Kinderszenen | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 131 BPM | ||
| 12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | ||
| 16 Waltzes, Op. 39: No. 15 In A Flat Major | Johannes Brahms, Idil Biret | A♭ Major | 0 | 4B | 68 BPM | ||
| Adagio in G Minor "Albinoni's Adagio" | Remo Giazotto, Leon Spierer, David Bell, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 62 BPM |