On October 29, 2001, the song "Shastha Ninage Tuppada" was released by Puttur Narasimha Nayak, Shashidhar Kote, Ramesh Chandra, Badari Prasad. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Sri Manikanta Ayyappa Raganjali". In this album, this song's track order is #3. Furthermore, we believe that the track originated from India. Based on our statistics, Shastha Ninage Tuppada's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Shastha Ninage Tuppada by Puttur Narasimha Nayak, Shashidhar Kote, Ramesh Chandra, Badari Prasad having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Poorva Janmadali Naa Maadida | Puttur Narasimha Nayak | D♭ Minor | 6 | 12A | 158 BPM | ||
| Sambo Sankara | Udaiyalur Kalyanaraman | E♭ Major | 2 | 5B | 108 BPM | ||
| Sharanu Sri Goravanahalli | Surekha, Shamitha | D Major | 5 | 10B | 100 BPM | ||
| Dasarathanandana | Udaiyalur Kalyanaraman | A♭ Major | 7 | 4B | 134 BPM | ||
| Hanumantha Pahi | Narasimha Naik | A♭ Major | 4 | 4B | 171 BPM | ||
| Raghavendra Guru Raghavendra | Rajkumar Bharathi | G Major | 3 | 9B | 136 BPM | ||
| Ale Ale Yaagi Kelide | B.K. Sumitra | F♯ Major | 5 | 2B | 82 BPM | ||
| Kandaa Haalu | Anantha Kulakarni, Puttur Narasimha Nayak, Purandara Dasaru | A♭ Minor | 4 | 1A | 93 BPM | ||
| Nithyanadakari | Vijayalakshmi Sharma, Ramana, Bangalore Sisters | C Major | 5 | 8B | 137 BPM | ||
| Hammayya Dorikava | S. Janaki | G Minor | 6 | 6A | 150 BPM | ||
| Manava Mantralayava Maadi | Rajkumar | F♯ Major | 4 | 2B | 104 BPM | ||
| Swamy Naamava Smariso | Puttur Narasimha Nayak | A Major | 6 | 11B | 91 BPM | ||
| Mahalakshmi Stotram | T. S. Ranganathan | F Major | 5 | 7B | 160 BPM | ||
| Pogadirelo Ranga | Purandara Dasara Bhakta Bandugalu | D♭ Major | 8 | 3B | 115 BPM | ||
| Melluko Sringara | Priya Sisters | D♭ Major | 3 | 3B | 143 BPM | ||
| Dheera Maruthi | Kaundinya Achutuni | F Minor | 9 | 4A | 130 BPM | ||
| Jayajaya Sriraghvendra | Sri Vdyabhushan Teertha Swamiji, Rajkumar Bharathi, Puttur Narasimha Nayak | F♯ Minor | 5 | 11A | 141 BPM | ||
| Sri Hanuman Dandakam | Parupalli Sri Ranganath | A Major | 6 | 11B | 87 BPM | ||
| Mahima Pogada Taramaa | Swapna | F♯ Minor | 6 | 11A | 140 BPM | ||
| Anjaneya Dandakam | Bheri Umamahesh | F Major | 0 | 7B | 130 BPM | ||
| Bandanene Ranga | Purandara Dasara Bhakta Bandugalu | G Major | 7 | 9B | 156 BPM | ||
| Shiridi Vasa Sai Prabho | N. Surya Prakash, Kumari Nalini | G Minor | 6 | 6A | 79 BPM | ||
| O Pavanatmaja | Priya Sisters | B♭ Minor | 4 | 3A | 81 BPM | ||
| Guruvige Guru | Dr. Rajkumar | D Major | 7 | 10B | 85 BPM | ||
| Dakshinamurthi Stotram | Bombay Sisters | C Major | 3 | 8B | 133 BPM |