On March 21, 2025, the song "Snow White: XIX. We are Dwarfs" was released by Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov, Nikolay Donskoy. The duration of This song is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Snow White: XIX. We are Dwarfs's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Alexander Litvinovsky, Nikolay Donskoy, Pavel Lyubomudrov, Metamorphose String Orchestra's "Litvinovsky: Snow White (Suite for String Orchestra and Flute)" album is number 19 out of 19. On top of that, Italy appears to be the country where this track was created. Snow White: XIX. We are Dwarfs is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Snow White: XIX. We are Dwarfs by Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov, Nikolay Donskoy to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Carnival of the Animals: 12. Fossils | Camille Saint-Saëns, Adelaide Symphony Orchestra, David Stanhope | C Major | 3 | 8B | 95 BPM | ||
| Pelléas et Mélisande: VII. La chasse commence | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | B♭ Major | 1 | 6B | 87 BPM | ||
| St. Paul's Suite, Op. 29, No. 2: I. Jig | Gustav Holst, Bournemouth Sinfonietta, Richard Studt | D Minor | 2 | 7A | 84 BPM | ||
| Sperl-Galopp, Op. 42 | Johann Strauss I, Slovak Sinfonietta, Zilina, Ernst Marzendorfer | E Major | 3 | 12B | 137 BPM | ||
| Humoresque, Op. 101 No. 7 | Antonín Dvořák, Neeme Järvi, Detroit Symphony Orchestra | G Major | 0 | 9B | 102 BPM | ||
| The Wolf and the Seven Young Goats: I. Morning Jogging | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov, Alexey Lundin | A Major | 1 | 11B | 87 BPM | ||
| Der Carneval in Paris Galopp, Op. 100, "The Carnival in Paris" | Johann Strauss I, Slovak Sinfonietta, Zilina, Ernst Märzendorfer | B Major | 2 | 1B | 133 BPM | ||
| Mozart: Flute Concerto No. 2 in D Major, K. 314: I. Allegro aperto | Wolfgang Amadeus Mozart, Claudio Abbado, Emmanuel Pahud, Berliner Philharmoniker | D Major | 1 | 10B | 123 BPM | ||
| Masques et bergamasques Suite, Op. 112: I. Ouverture. Allegro molto vivo | Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot | F♯ Minor | 0 | 11A | 80 BPM | ||
| Sigurd Jorsalfar, Op. 56 - Three Orchestra Pieces: 1. Prelude (In the King's Hall) | Edvard Grieg, Esa-Pekka Salonen, Swedish Radio Symphony Orchestra | E Minor | 0 | 9A | 100 BPM | ||
| Ballet Suite No. 3 (arr. L. Atovmyan): Dance (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | G Major | 4 | 9B | 168 BPM | ||
| Tales of Beatrix Potter - Music from the Royal Ballet film: The Mouse Waltz | John Lanchbery, Orchestra of the Royal Opera House, Covent Garden | D Major | 2 | 10B | 128 BPM | ||
| Conga del Fuego - Live | Arturo Márquez, Simón Bolívar Youth Orchestra of Venezuela, Gustavo Dudamel | A Minor | 3 | 8A | 128 BPM | ||
| Snow White: X. Magic Mirror. Witchcraft | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov, Nikolay Donskoy | G Major | 2 | 9B | 78 BPM | ||
| Woodland Suite: III. Moon-Fairy | George Dyson, BBC Symphony Orchestra, Richard Hickox | A Major | 0 | 11B | 74 BPM | ||
| Strauss II, J: Im Krapfenwald'l, Op. 336 | Johann Strauss II, Bramwell Tovey, Hallé | C Major | 1 | 8B | 106 BPM | ||
| Serenade No. 2 in A Major, Op. 16: 2. Scherzo. Vivace | Johannes Brahms, Royal Concertgebouw Orchestra, Bernard Haitink | A Major | 1 | 11B | 179 BPM | ||
| Norwegian Dances, Op. 35: III. Allegro moderato alla Marcia (Arr. H. Sitt for orchestra) | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | D Major | 1 | 10B | 104 BPM | ||
| Le piccadilly "March for Piano" | Erik Satie, Vadim Chaimovich | F Major | 2 | 7B | 94 BPM | ||
| The Westminster Waltz | Robert Farnon, Slovak Radio Symphony Orchestra, Adrian Leaper | D Major | 1 | 10B | 62 BPM | ||
| Les jeux | George Melachrino, Royal Ballet Sinfonia, David Lloyd-Jones | D Major | 1 | 10B | 126 BPM | ||
| Strauss II, J: Annen-Polka, Op. 117 | Johann Strauss II, Daniel Barenboim, Chicago Symphony Orchestra | D Major | 1 | 10B | 163 BPM | ||
| The Seasons, Op. 67: XIV. Petit Adagio | Alexander Glazunov, Neeme Järvi, Royal Scottish National Orchestra | A Major | 1 | 11B | 87 BPM | ||
| The Carnival of the Animals: 14. Finale | Camille Saint-Saëns, Adelaide Symphony Orchestra, David Stanhope | C Major | 3 | 8B | 95 BPM | ||
| The Seasons, Op. 67: IX. Valse des Bluets et des Pavots | Alexander Glazunov, Neeme Järvi, Royal Scottish National Orchestra | A Major | 2 | 11B | 98 BPM |