On February 20, 2015, the song "Gone With The Wind (From 'Percussion And Guitars')" was released by Al Caiola. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Gone With The Wind (From 'Percussion And Guitars')'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 101 in AL CAIOLA - FOREVER INSTRUMENTAL HITS VOL. 2 by Al Caiola. Going off of the ISRC code of this track, we detected that the origin of this track is from Philippines. Based on our statistics, Gone With The Wind (From 'Percussion And Guitars')'s popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Gone With The Wind (From 'Percussion And Guitars') by Al Caiola is Allegro (fast, quick, and bright), since this song has a tempo of 149 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La paloma | Anthony Ventura | C Major | 3 | 8B | 107 BPM | ||
| Again | Kurt Edelhagen | G Major | 6 | 9B | 126 BPM | ||
| Emmanuelle | Pop Strings Orchestra | D Minor | 5 | 7A | 116 BPM | ||
| Et Maintenant | Pop Strings Orchestra | F Minor | 5 | 4A | 110 BPM | ||
| El Tercer Hombre (The 3rd Man Theme) | Luis Arcaraz Y Su Orquesta | D Major | 2 | 10B | 116 BPM | ||
| La Playa | Henry Salomon y su Orquesta | D Minor | 2 | 7A | 103 BPM | ||
| Concierto de Aranjuez | Johnny Pearson Y Su Orquesta | B Minor | 2 | 10A | 139 BPM | ||
| Petite Fleur | Billy Vaughn | G Minor | 2 | 6A | 123 BPM | ||
| L'Incontro - 1M1 | Giovanni Marchetti | E Minor | 5 | 9A | 95 BPM | ||
| Raindrops Keep Fallin' On My Head - Original Musicor Recordings | Hugo Winterhalter | F Major | 4 | 7B | 101 BPM | ||
| You Belong to My Heart = Solamente Una Vez | Carmen Cavallaro | G Major | 5 | 9B | 170 BPM | ||
| Hello Dolly | Jean Claude Borelly | B♭ Major | 7 | 6B | 144 BPM | ||
| Guns of Navarone | Al Caiola | D Major | 6 | 10B | 124 BPM | ||
| Las Hojas Muertas | Franck Pourcel | F Minor | 3 | 4A | 80 BPM | ||
| Theme From 'Elvira Madigan' | Francis Dupont | F Major | 1 | 7B | 98 BPM | ||
| Indian Love Call | Billy Vaughn | A♭ Major | 3 | 4B | 98 BPM | ||
| Solamente Una Vez / Sabor a Mi - Instrumental | Luis Siu Riveron | C Major | 3 | 8B | 116 BPM | ||
| Ich hab' die Liebe geseh'n - Sweet Lorraine | Das Orchester Claudius Alzner | E♭ Major | 3 | 5B | 116 BPM | ||
| Spanish Eyes | Al Hirt | B♭ Major | 3 | 6B | 114 BPM | ||
| Magnificent Seven | Al Caiola | B♭ Major | 6 | 6B | 82 BPM | ||
| Canta | Johnny Pearson Y Su Orquesta | F Major | 4 | 7B | 141 BPM | ||
| More (Theme From Mondo Cane) | Kai Winding, Kenny Burrell | E Minor | 6 | 9A | 134 BPM | ||
| Third Man Theme | Horst Jankowski | C Major | 4 | 8B | 147 BPM | ||
| Lo Que el Viento Se Llevó (Tara's Theme) | Sounds Unlimited Orchestra & The London Philarmonic Orchestra | A♭ Major | 3 | 4B | 92 BPM | ||
| Begin the Beguine - Instrumental | Luis Siu Riveron | C Major | 4 | 8B | 120 BPM |