Robin George's 'Hitlist' had a release date set for December 31, 1984. The duration of This song is about 3 minutes long, at 3:21. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 16 in Dangerous Music (Expanded Editon) by Robin George. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Hitlist is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Hitlist by Robin George is Vivace (lively and fast), since this song has a tempo of 170 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Last Call | Billy Satellite | A Major | 8 | 11B | 95 BPM | ||
| Take What You Want | Hurricane | B♭ Minor | 9 | 3A | 123 BPM | ||
| This Ain't Love | Coney Hatch | D Minor | 7 | 7A | 118 BPM | ||
| An Ocean Away | Seventh Key | D♭ Major | 8 | 3B | 107 BPM | ||
| C'mon Down | Damage Control, Spike, Pete Way, Chris Slade, Robin George | D Major | 9 | 10B | 94 BPM | ||
| Just A Man | Robin George | E Major | 6 | 12B | 80 BPM | ||
| Open Your Eyes | Airrace | D Minor | 9 | 7A | 128 BPM | ||
| When You Get There | Zebra | A Minor | 7 | 8A | 125 BPM | ||
| Call My Bluff | House Of Lords | A♭ Minor | 9 | 1A | 125 BPM | ||
| See You Cry | Black Swan | B♭ Minor | 9 | 3A | 106 BPM | ||
| Bad Romance | Axe | D Minor | 8 | 7A | 110 BPM | ||
| Liar | Signal | C Major | 8 | 8B | 92 BPM | ||
| Dorianna | Paul Laine | A Major | 8 | 11B | 133 BPM | ||
| The Look In Your Eye | Hughes/Thrall | C Major | 9 | 8B | 135 BPM | ||
| Headed For Nowhere | Triumph | E Minor | 9 | 9A | 164 BPM | ||
| Talk to Me | SHY | B Minor | 10 | 10A | 134 BPM | ||
| You're the Best (Money Can Buy) | Fate | B Minor | 9 | 10A | 141 BPM | ||
| No More Lies | Neal Schon & Jan Hammer | D Major | 9 | 10B | 135 BPM | ||
| Livin' on a Knife Edge | Virginia Wolf | F Major | 10 | 7B | 132 BPM | ||
| Hurricane | Demon | B Minor | 8 | 10A | 136 BPM | ||
| Fire in the Hole (Remastered) | Michael Stanley Band | F Major | 9 | 7B | 111 BPM | ||
| Turn Your Heart Around | Keats | D♭ Minor | 7 | 12A | 126 BPM | ||
| I Might Lie | Andy Taylor, Steve Jones | E Minor | 9 | 9A | 136 BPM | ||
| Love Is a Funny Feeling | Electric Boys | F♯ Minor | 10 | 11A | 98 BPM | ||
| Young Hearts | Axe | E Minor | 7 | 9A | 167 BPM |