Pretty Balanced's 'Genuinely Bad' had a release date set for January 1, 2006. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Pretty Balanced's "Icicle Bicycle" album is number 15 out of 19. On top of that, United States appears to be the country where this track was created. Based on our statistics, Genuinely Bad's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Genuinely Bad by Pretty Balanced to be Allegro (fast, quick, and bright) because the track has a tempo of 150 BPM, a half-time of 75BPM, and a double-time of 300 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Deep in the High | Charming Disaster | C Major | 5 | 8B | 97 BPM | ||
| Under the Rainbow | The Jane Austen Argument | C Minor | 3 | 5A | 80 BPM | ||
| Pound of Flesh - Live | Regina Spektor | D Minor | 2 | 7A | 77 BPM | ||
| They Still Want You | The Vincent Black Shadow | C Minor | 9 | 5A | 120 BPM | ||
| The Epic Song | Harlequin Jones | E♭ Minor | 7 | 2A | 127 BPM | ||
| When I'm With You | Eleisha Eagle | A Major | 5 | 11B | 116 BPM | ||
| The Kill | The Dresden Dolls | F Minor | 7 | 4A | 93 BPM | ||
| Circus | Sunday Driver | D Minor | 6 | 7A | 125 BPM | ||
| The Dismemberment Song | Blue Kid | D♭ Minor | 7 | 12A | 107 BPM | ||
| Artichoke | Charming Disaster | A Minor | 4 | 8A | 116 BPM | ||
| Bump in the Night | Skittish | A♭ Minor | 3 | 1A | 118 BPM | ||
| Pet Sematary | The Tiny, Elle-Kari | C Major | 3 | 8B | 82 BPM | ||
| Until the Day You Die | Abney Park | E Minor | 8 | 9A | 111 BPM | ||
| Voodoo | This Way To The Egress | F Minor | 7 | 4A | 170 BPM | ||
| Deathbed Confession | Birdeatsbaby | B♭ Minor | 6 | 3A | 90 BPM | ||
| Where We Belong | Shayfer James | A♭ Major | 7 | 4B | 94 BPM | ||
| Act 3: S1 - New Albion 3 (feat. Kayleigh McKnight) | Paul Shapera, Kayleigh McKnight | A Minor | 7 | 8A | 137 BPM | ||
| Bones & Skin | Mirah | E Minor | 2 | 9A | 80 BPM | ||
| A Death | an Unkindness | B♭ Minor | 8 | 3A | 158 BPM | ||
| Revelator | The Scarring Party | F Major | 4 | 7B | 97 BPM | ||
| Devil's Flesh & Bones | Eliza Rickman | E♭ Minor | 3 | 2A | 106 BPM | ||
| Wake Up | Humanwine | B♭ Major | 2 | 6B | 116 BPM | ||
| the Pattern | The Narcissist Cookbook | G Major | 5 | 9B | 120 BPM | ||
| Carousel | Sunday Driver | A Major | 2 | 11B | 124 BPM | ||
| Blacksnake | Charming Disaster | G Minor | 4 | 6A | 209 BPM |