On 1986, the song "Being Fooled" was released by 54-40. The duration of This song is about 3 minutes long, at 3:17. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 54.40, so we believe that "Being Fooled" is a single. Based on our statistics, Being Fooled's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Being Fooled by 54-40 is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| She Doesn't Exist | Robyn Hitchcock & The Egyptians | D Major | 4 | 10B | 134 BPM | ||
| Wake Me | Rusty | G Major | 8 | 9B | 120 BPM | ||
| I, The Throw Away | Matthew Good Band | D♭ Major | 2 | 3B | 118 BPM | ||
| Let's Shake | Teenage Head | C Major | 7 | 8B | 108 BPM | ||
| Napoleon Sheds His Skin | Red Rider | E Minor | 5 | 9A | 113 BPM | ||
| Sons & Daughters | Chalk Circle | G Major | 7 | 9B | 94 BPM | ||
| I Wanna Know | 54-40 | D♭ Minor | 8 | 12A | 146 BPM | ||
| At 24 | Skydiggers | G Major | 9 | 9B | 147 BPM | ||
| You Should Come Over | 54-40 | G Major | 8 | 9B | 142 BPM | ||
| From The Back Of The Film | Thrush Hermit | D Major | 7 | 10B | 119 BPM | ||
| Out of a Deeper Hunger | Gowan | D Major | 7 | 10B | 135 BPM | ||
| Mimi On The Beach | Jane Siberry | G Major | 4 | 9B | 154 BPM | ||
| Silver | Moist | A Minor | 7 | 8A | 89 BPM | ||
| Kings of the Past | Rheostatics | D Major | 4 | 10B | 137 BPM | ||
| Absolutely | Headstones | B Minor | 8 | 10A | 137 BPM | ||
| Hindsight | Headstones | A Major | 10 | 11B | 137 BPM | ||
| This Old Man's (Too Drunk To Drive) | Junkhouse | B Minor | 7 | 10A | 132 BPM | ||
| Take My Hand | 54-40 | G Major | 5 | 9B | 152 BPM | ||
| Lust for Love | Images In Vogue | B♭ Major | 7 | 6B | 121 BPM | ||
| I Can Speak American | The Screaming Blue Messiahs | G Major | 8 | 9B | 126 BPM | ||
| Untitled | The Age Of Electric | E Minor | 9 | 9A | 104 BPM | ||
| Little Too Clean | Soul Asylum | D Major | 7 | 10B | 102 BPM | ||
| Pocahontas | Crash Vegas | F♯ Major | 7 | 2B | 127 BPM | ||
| Here Comes the Night | Streetheart | E Major | 7 | 12B | 98 BPM | ||
| Blue Sky | 54-40 | C Major | 8 | 8B | 110 BPM |