Gopal Mathpal's ' "Meet Chhai Videsh" was released on its scheduled release date, 2012. This song is about six minutes long, preciously at 5:41, making this song fairly long compared to other songs. The song is number 6 out of 7 in Baith Tawera Maa by Gopal Mathpal, Meena Rana. Going off of the ISRC code of this track, we detected that the origin of this track is from India. The popularity of Meet Chhai Videsh is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Meet Chhai Videsh by Gopal Mathpal is Prestissimo (even faster than presto), since this song has a tempo of 203 BPM. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jaahu Bajare | Mithlesh Sahu, Alka Chandrakar | F♯ Major | 8 | 2B | 78 BPM | ||
| Tak Dhingtalo | Manglesh Dangwal | D♭ Minor | 7 | 12A | 206 BPM | ||
| Hit Mera Sath Ma | Gopal Mathpal, Kamlesh Misra, Mainaali | F♯ Major | 9 | 2B | 179 BPM | ||
| Shiv Chalisa | Vishal Khera | E♭ Major | 8 | 5B | 103 BPM | ||
| Main To Pasar Pasar Khaavan Dhok | Amit Kalra meetu | A Major | 8 | 11B | 83 BPM | ||
| Rukmaa Rukmadi | Lalit Mohan Joshi, Meena Rana | C Major | 8 | 8B | 118 BPM | ||
| Hey Dukh Bhanjan Maruti Nandan | Anup Jalota, Chandra Kamal | A Major | 6 | 11B | 87 BPM | ||
| He Dukh Bhanjan Maruti Nandan | Rakesh Kala | B Major | 8 | 1B | 90 BPM | ||
| Tu Nata Jodle | Gopal Mathpal, Kamlesh Misra, Mainaali | F♯ Major | 9 | 2B | 179 BPM | ||
| Viyakhan Hoige | Preetam Bhartwan, Meena Rana | G Major | 5 | 9B | 146 BPM | ||
| Hay Balangi Ena Balangapana | Bilal Tadavi, Urmila Mahajan, Aarti Kale | D♭ Major | 7 | 3B | 78 BPM | ||
| Sherawali Pahadawali | Sonu Nigam | D♭ Major | 7 | 3B | 172 BPM | ||
| Kavne Khotwa Mein Lukailu | Madan Rai | A♭ Major | 9 | 4B | 126 BPM | ||
| Mobile Phone Chori Kayam | Jashvant Rathva | F Minor | 8 | 4A | 112 BPM | ||
| Yaadon Ko Bas Wo Yaad Hai | Agam Kumar Nigam | A Minor | 8 | 8A | 81 BPM | ||
| Sonano Garbo Maane Riupla Indhoni | Pamela Jain, Kirtidan Gadhvi | G Minor | 7 | 6A | 150 BPM | ||
| Melo Melo Fukat Mi Melo | Anand Shinde | E Minor | 10 | 9A | 96 BPM | ||
| Aali Bheemwadi | Milind Shinde | A Major | 7 | 11B | 165 BPM | ||
| Aabe Aabe Rani Amraiya Ma | Dilip Dahariya, Anupama Mishra | D♭ Minor | 8 | 12A | 112 BPM | ||
| Chuti Na I Rangva | Guddu Rangila | B♭ Major | 6 | 6B | 82 BPM | ||
| Baire Paire | Mamta Chandarkar | A♭ Major | 9 | 4B | 142 BPM | ||
| Baba Shyam Ke Darbar Jo Bhi | Lakhbir Singh Lakkha | D♭ Major | 7 | 3B | 172 BPM | ||
| Pyar Ham Karile Tohase | Golu Raja | G Major | 9 | 9B | 84 BPM | ||
| Gharwa Aaja Ae Balmuaa | Khesari Lal Yadav | G Major | 9 | 9B | 96 BPM | ||
| Zikr-e-Nabi Karke | Jani Babu | A♭ Major | 4 | 4B | 101 BPM |