Twin Method's 'All Becomes Clear' had a release date set for January 1, 2003. The duration of This song is about 3 minutes long, at 3:16. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 11 in Adjust and Control by Twin Method. Going off of the ISRC code of this track, we detected that the origin of this track is from United Arab Emirates. Based on our statistics, All Becomes Clear's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of All Becomes Clear by Twin Method is Allegro (fast, quick, and bright), since this song has a tempo of 148 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mannequin | Twisted Method | F♯ Major | 10 | 2B | 145 BPM | ||
| Beside Myself | Siop | G Major | 9 | 9B | 95 BPM | ||
| This Time Around | Number One Son | A♭ Minor | 10 | 1A | 117 BPM | ||
| Hype | No One | A♭ Major | 9 | 4B | 103 BPM | ||
| P.L.U. | Stepa | E Major | 10 | 12B | 100 BPM | ||
| Waste | Skrape | G Major | 9 | 9B | 88 BPM | ||
| Insurrection | Genuflect | G Major | 10 | 9B | 180 BPM | ||
| Killing Me | Reveille | D♭ Major | 9 | 3B | 160 BPM | ||
| Far Side | Unloco | F♯ Major | 9 | 2B | 112 BPM | ||
| Fake | Twin Method | G Major | 9 | 9B | 118 BPM | ||
| Know One | Unloco | B Major | 9 | 1B | 120 BPM | ||
| Smack | From Zero | A♭ Major | 10 | 4B | 137 BPM | ||
| Inhale | Edgewater | F Major | 10 | 7B | 99 BPM | ||
| Untitled | Five Pointe O | C Major | 10 | 8B | 100 BPM | ||
| Burn | Captor | D♭ Major | 8 | 3B | 136 BPM | ||
| Religion | Switched | F Major | 9 | 7B | 93 BPM | ||
| Pedestal | MyDownFall | D Major | 7 | 10B | 104 BPM | ||
| Push | Dogfight! | D♭ Major | 9 | 3B | 110 BPM | ||
| Flow Heat | 3rd Strike | E♭ Major | 9 | 5B | 127 BPM | ||
| Junk | The Deadlights | D♭ Major | 10 | 3B | 99 BPM | ||
| Burgundy | Mainstay | F♯ Major | 8 | 2B | 100 BPM | ||
| All Lies | 3rd Strike | D Major | 9 | 10B | 140 BPM | ||
| Through Me Out | Kink | G Major | 10 | 9B | 108 BPM | ||
| Goodbye | Skrape | F Major | 9 | 7B | 90 BPM | ||
| Headcase | Grade 8 | B♭ Minor | 10 | 3A | 160 BPM |