George Frideric Handel, Danny Driver's 'Suite No. 3 in D Minor, HWV 428: V. Air with 5 Variations' had a release date set for April 27, 2014. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in George Frideric Handel, Danny Driver's "Handel: The 8 Great Suites for Keyboard" album is number 13 out of 47. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Suite No. 3 in D Minor, HWV 428: V. Air with 5 Variations is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite No. 3 in D Minor, HWV 428: V. Air with 5 Variations by George Frideric Handel, Danny Driver to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Stabat Mater: 1. Stabat Mater | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | E Minor | 0 | 9A | 88 BPM | ||
| Concerto for Oboe, Strings and B.c. "Voli per l'aria": Allegro ("Hence, Iris, Hence Away" from Oratorio 'Semele', HWV 58) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika Razynska | A Minor | 3 | 8A | 77 BPM | ||
| Torelli: Trumpet Concerto in D Major, G. 28 "Estienne Roger": I. Allegro | Alison Balsom | D Major | 3 | 10B | 102 BPM | ||
| Rameau: Les Boréades, Act 4: Entrée de Polymnie | Jean-Philippe Rameau, Gyorgy Vashegyi, Orfeo Orchestra | D Major | 2 | 10B | 122 BPM | ||
| Gluck: Orphée et Eurydice, Wq. 41, Act 2: Danse des ombres heureuses | Christoph Willibald Gluck, Sir Neville Marriner, Academy of St. Martin in the Fields, Paul Davies | F Major | 0 | 7B | 76 BPM | ||
| Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | ||
| Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
| Concerto in D Minor for Oboe, Strings and Continuo: II. Adagio | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso, Andrea Mion | D♭ Minor | 1 | 12A | 68 BPM | ||
| Concerto in C Minor: IV. Allegro giusto | Domenico Cimarosa, John Anderson, Simon Wright, Philharmonia Orchestra | C Major | 2 | 8B | 111 BPM | ||
| Symphony for Flute, Oboe, Horn and Strings in D Major: III. Presto | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | E♭ Major | 1 | 5B | 116 BPM | ||
| Handel: Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Jupiter, Thomas Dunford | D♭ Minor | 1 | 12A | 76 BPM | ||
| Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
| Orfeo ed Euridice: Act I, Scene 1, Coro: Ah, se intorno a quest'urna funesta | Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger Barockorchester | F Minor | 1 | 4A | 80 BPM | ||
| Oboe Concerto in A Major (arr. J. Barbirolli): I. Preludio | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 82 BPM | ||
| Le Messie, symphony: Grave Allegro Moderato | George Frideric Handel, Orchestre & Chorale Paul Kuentz, Barbara Schlick, Jean Nirouet, Alexander Stevenson, Philip Langshaw | D Major | 3 | 10B | 107 BPM | ||
| Concerto for two violins BWV 1043 in D Minor: Concerto for two violins BWV 1043 in D Minor: II. Largo ma non tanto | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz, Petra Mullejans | E Major | 1 | 12B | 84 BPM | ||
| Concerto in D Minor: II. Adagio | Alessandro Marcello, Miloš Karadaglić, Jonathan Cohen, Arcangelo | D Minor | 0 | 7A | 144 BPM | ||
| Le Bourgeois Gentilhomme - Comédie-Ballet, LWV 43: Ouverture | Jean-Baptiste Lully, Gustav Leonhardt, La Petite Bande, Sigiswald Kuijken | F♯ Minor | 1 | 11A | 106 BPM | ||
| Concerto In G Major TWV 40:201, For 4 Violins Without Basso Continuo: 1. Largo e staccato | Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary Utiger | F♯ Major | 0 | 2B | 110 BPM | ||
| Savior of the Nations, Come, BWV 659 (Arr. for 4 Cellos) | Johann Sebastian Bach, Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Max Ruisi | C Major | 0 | 8B | 122 BPM | ||
| Concerto For Oboe In D Minor - Presto | Tafelmusik Baroque Orchestra | D♭ Minor | 3 | 12A | 104 BPM | ||
| L'Aria | Heinrich Ignaz Franz von Biber, Christina Pluhar | D Minor | 1 | 7A | 86 BPM | ||
| Bach, C.P.E.: Cello Concerto No. 3 in A Major, Wq. 172, H. 439 (Cadenzas by Anner Bylsma): III. Allegro assai | Carl Philipp Emanuel Bach, Anner Bylsma, Orchestra of the Age of Enlightenment, Gustav Leonhardt | A♭ Minor | 1 | 1A | 75 BPM | ||
| Chamber Sonata No. 4 in G Minor: I. Grave | Élisabeth Jacquet de La Guerre, Musica Fiorita | D♭ Minor | 2 | 12A | 84 BPM | ||
| Enigma Variations, Op. 36: Theme. Andante | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 113 BPM |