"I Know Where The Tapes Are" by Thomas Ross Fitzsimons had its release date on October 18, 2024. With This song being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 15 in Everyone Else Burns (Music from the Original Series - Season 2) by Thomas Ross Fitzsimons. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, I Know Where The Tapes Are is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of I Know Where The Tapes Are by Thomas Ross Fitzsimons is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Preparing The Trap | Michael Abels | A Minor | 3 | 8A | 104 BPM | ||
| Tikkoun - Piano & Synth | Rone | D Minor | 5 | 7A | 100 BPM | ||
| Spring | Alexis Somogyi | G Minor | 1 | 6A | 146 BPM | ||
| Rosa | Oliver Coates | B♭ Major | 2 | 6B | 150 BPM | ||
| Daimonas | Ted Regklis | A Major | 2 | 11B | 120 BPM | ||
| Con Ayudas | Asklepios | G Major | 0 | 9B | 138 BPM | ||
| Deep Water | Rob Simonsen | A♭ Major | 2 | 4B | 67 BPM | ||
| Futuros Mejores | Mutua Admiración | B♭ Minor | 4 | 3A | 95 BPM | ||
| Bounce Melody | Bounce Melody | D Major | 0 | 10B | 120 BPM | ||
| Consecuencias Irreversibles | Hasta El Final | D Minor | 0 | 7A | 95 BPM | ||
| Dusseldorf 1965 | Roy Ricardo, Ricc Roy | F Minor | 2 | 4A | 62 BPM | ||
| De Milagro En Milagro | Hasta El Final | F Minor | 1 | 4A | 80 BPM | ||
| Pandora | Martin Madrazo, Martin Lamo | G Minor | 3 | 6A | 105 BPM | ||
| Vi ville noe mer | Kristoffer Lo | B Minor | 2 | 10A | 63 BPM | ||
| Do You Think You're Special? | Colin Stetson, Chloe Eustache, Greg Fox, Matt Combs | E Major | 3 | 12B | 87 BPM | ||
| Freshair | Ale Power | D♭ Minor | 0 | 12A | 77 BPM | ||
| Nadie Al Otro Lado | Almater | A Minor | 1 | 8A | 110 BPM | ||
| Akram Khan's Giselle (After A. Adam): Arrival of the Landlords | Vincenzo Lamagna, English National Ballet Philharmonic, Gavin Sutherland | B♭ Major | 1 | 6B | 139 BPM | ||
| Taco Tuesday | Colin Stetson | G Minor | 3 | 6A | 135 BPM | ||
| The Carpenter | Giuseppe Alfano | D♭ Minor | 2 | 12A | 148 BPM | ||
| Sul Luogo del delitto | Massimiliano Mechelli | A Minor | 1 | 8A | 81 BPM | ||
| Opening | Thomas Ross Fitzsimons | C Minor | 2 | 5A | 137 BPM | ||
| Vox populi, vox Dei | Corpus Dominix | F Major | 2 | 7B | 81 BPM | ||
| Secret Agent | Edward Farmer, Martin Phipps | F Minor | 4 | 4A | 90 BPM | ||
| The Middle | Emiliana Harlow, Emily Harlow | G Minor | 2 | 6A | 80 BPM |