"I Know, I Know, I Know" by Mario Lanza had its release date on February 24, 2011. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Mario Lanza's "Mario Lanza At The Movies" album is number 1 out of 26. On top of that, United Kingdom appears to be the country where this track was created. I Know, I Know, I Know is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of I Know, I Know, I Know by Mario Lanza to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Always | Deanna Durbin | A♭ Major | 3 | 4B | 82 BPM | ||
| Massenet: Werther, Act 3: "Pourquoi me réveiller" | Jules Massenet, Kent Nagano, Anne Sofie von Otter, Jerry Hadley, Orchestre de l'Opéra de Lyon | A♭ Major | 0 | 4B | 181 BPM | ||
| You'll Never Walk Alone | Barbara Ruick, Shirley Jones,The 20th Century-Fox Orchestra | B♭ Major | 2 | 6B | 98 BPM | ||
| Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi, che sapete che cosa è amor" (Cherubino) | Wolfgang Amadeus Mozart, Daniel Barenboim, Cecilia Bartoli, Berliner Philharmoniker | B♭ Major | 2 | 6B | 110 BPM | ||
| Mattinata | José Carreras | E Major | 3 | 12B | 152 BPM | ||
| Bizet: Carmen, WD 31, Act 3, Scene 1: "Je dis que rien ne m'épouvante" (Micaëla) | Georges Bizet, Giuseppe Sinopoli, Angela Gheorghiu, Bavarian State Orchestra | F Major | 1 | 7B | 190 BPM | ||
| Gala Sequence | Renata Tebaldi, Vienna Philharmonic, Herbert von Karajan | G Major | 2 | 9B | 93 BPM | ||
| The Merry Widow / Act 2: Duet: Love unspoken, love unbroken | Franz Lehár, Werner Krenn, Dame Joan Sutherland, Ambrosian Singers, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 0 | 4B | 86 BPM | ||
| Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
| Martha: M'apparì tutt'amor | Friedrich von Flotow, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | B Minor | 2 | 10A | 89 BPM | ||
| Buzzi-Peccia: Lolita | Luciano Pavarotti, Orchestra, Henry Mancini, Andrea Griminelli | F♯ Major | 2 | 2B | 72 BPM | ||
| O What a Beautiful Mornin' | Howard Keel | E Major | 3 | 12B | 78 BPM | ||
| Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | ||
| It's a Wonderful Life, Act II: Auld Lang Syne | Jake Heggie, Houston Grand Opera Orchestra, Patrick Summers, Talise Trevigne, Patti LuPone, William Burden, Andrea Carroll | E♭ Major | 6 | 5B | 169 BPM | ||
| Schenkt man sich Rosen in Tirol | Wiener Operettenorchester, Chor | B♭ Major | 5 | 6B | 88 BPM | ||
| Core 'ngrato | Beniamino Gigli | D Major | 3 | 10B | 111 BPM | ||
| With a Song in My Heart | Lorenz Hart, Richard Rodgers, Mario Lanza | A♭ Major | 4 | 4B | 61 BPM | ||
| Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Heia, heia, in den Bergen ist mein Heimatland (Sylva - Boni - Feri - Chor) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonie-Orchester Graunke | C Minor | 5 | 5A | 91 BPM | ||
| Drink, Drink, Drink (from the Student Prince) | Sigmund Romberg, Dorothy Donnelly, Mario Lanza | A♭ Major | 4 | 4B | 61 BPM | ||
| Guaglione | Jimmy Roselli | F Major | 5 | 7B | 142 BPM | ||
| The Bold Gendarmes | Josef Locke | F Major | 2 | 7B | 120 BPM | ||
| Acte III: "E lucevan le stelle" | Mario Lanza | C Major | 8 | 8B | 131 BPM | ||
| Lehár: Die lustige Witwe, Act 2: No. 7, Vilja-Lied, "Nun lasst uns … Vilja, o Vilja, Du Waldmägdelein" (Hanna, Chorus) | Franz Lehár, Kate Royal, Edward Gardner, English National Opera Orchestra | A Major | 2 | 11B | 84 BPM | ||
| Novello: King's Rhapsody, Act 1: "If This Were Love" - "Farewell, My Little Mountain Dove" (Serenader, Countess Vera) | Ivor Novello, Mike Sammes Singers, The New World Show Orchestra, Jan Cervenka, Andrew Gold, Pamela Woolmore | D Major | 3 | 10B | 111 BPM | ||
| De Curtis/ Arr Schifrin: Around the World Part 12: Torna a Surriento | Ernesto de Curtis, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | E♭ Minor | 3 | 2A | 80 BPM |