"The Queen" by Jon R Garey had its release date on October 5, 2019. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. The Queen's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Progenitor". In this album, this song's track order is #7. Based on our statistics, The Queen's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With The Queen by Jon R Garey having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sailing Man | Neil Halstead | D Major | 3 | 10B | 148 BPM | ||
| Doesn't Matter | Paul Sheridan | D Major | 7 | 10B | 130 BPM | ||
| Where is my room? | Vinther, Mark Davis | D Major | 7 | 10B | 130 BPM | ||
| Hard To Be | Wheesht | C Major | 3 | 8B | 75 BPM | ||
| Poppy Fields | Mike Qzak | D♭ Minor | 5 | 12A | 119 BPM | ||
| Overwhelmed | John P Bostock | D Major | 7 | 10B | 130 BPM | ||
| Motor Away | Minor Majority | C Major | 3 | 8B | 126 BPM | ||
| Always Fine | ndge | C Major | 4 | 8B | 123 BPM | ||
| The Tower | Dying Soul | E Minor | 2 | 9A | 60 BPM | ||
| Backseat Promises | John P Bostock | F Major | 2 | 7B | 103 BPM | ||
| We Are We Are | Valerio Calisse | C Major | 6 | 8B | 144 BPM | ||
| Letter to a Future Child | G-RAD | A Major | 4 | 11B | 125 BPM | ||
| Bitter Sweet Symphony | Lucca Faccin | F♯ Major | 6 | 2B | 120 BPM | ||
| This Could Be | South Cry | A Major | 7 | 11B | 168 BPM | ||
| A Place I Could Call Home | Mike Qzak | C Major | 9 | 8B | 120 BPM | ||
| Dignity | Mister Blackness | B Major | 3 | 1B | 110 BPM | ||
| Static in My Veins | Young Voltage | A Major | 4 | 11B | 82 BPM | ||
| The Letter | Michellar | C Major | 5 | 8B | 86 BPM | ||
| Crush or Love | Oscar Nerio | D Major | 7 | 10B | 130 BPM | ||
| Connections | LuisetozA | G Major | 5 | 9B | 100 BPM | ||
| Hymn 666 | Chris James, Laurens Reij | F Major | 3 | 7B | 81 BPM | ||
| Hymn 9 | Clyde Brain | C Minor | 5 | 5A | 98 BPM | ||
| Images of Despair | Chris Mainfield | D Minor | 3 | 7A | 79 BPM | ||
| Heaven On Earth | David Shepherd Grossman | D Major | 7 | 10B | 130 BPM | ||
| Two Stones in My Pocket | Neil Halstead | E Major | 4 | 12B | 150 BPM |