On August 1, 1995, the song "Tribhuwani Udaar" was released by Ajit Kadkade. This song is about six minutes long, preciously at 5:45, making this song fairly long compared to other songs. There are a total of 8 in the song's album "Shiv Majha Bhola". In this album, this song's track order is #5. Furthermore, we believe that the track originated from India. Tribhuwani Udaar is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Tribhuwani Udaar by Ajit Kadkade having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Duttachi Aarti | Pradnya Annam | B♭ Major | 7 | 6B | 170 BPM | ||
| Om Gurunatha Sharanam | Puttur Narasimha Nayak | F♯ Major | 6 | 2B | 90 BPM | ||
| Karuvela Maramondru | Sakthidaasan | C Major | 6 | 8B | 86 BPM | ||
| Ekkadi Manusha | Priya Sisters | A♭ Major | 2 | 4B | 132 BPM | ||
| Tunujhunu Dhumvit Ghungurwala | Ajit Kadkade | B♭ Major | 7 | 6B | 117 BPM | ||
| Naam Sagun Samarth V-2 | Mandar Apte | G Minor | 4 | 6A | 135 BPM | ||
| Jai Jai Ram Krishan Hari | Baba Maharaj Satarkar | E Minor | 6 | 9A | 144 BPM | ||
| Vida Ghya Ho Swamiraya | Ajeet Kumar Kadkade | B Minor | 2 | 10A | 76 BPM | ||
| Darshan De Majala | Mandar Apte | B Minor | 6 | 10A | 125 BPM | ||
| Sharanu Sharanu Jaya Durge | B.K. Sumitra | E♭ Minor | 5 | 2A | 80 BPM | ||
| Vedam Bevvani | S.V. Anand Bhattar | F Major | 7 | 7B | 148 BPM | ||
| Hich Ti Ramachi Swamini | Sudhir Phadke | E Minor | 5 | 9A | 104 BPM | ||
| Devi Viradrupa | Sri Ganapathy Sachchidananda Swamiji | G Major | 5 | 9B | 141 BPM | ||
| Majha Naamdev Santachi Maauli | Bhimsen Joshi, Pt. Jitender Abhisheki, Ajit Kadkade | A♭ Major | 5 | 4B | 136 BPM | ||
| Man Annad Nachle | Ajit Kadkade | E♭ Major | 7 | 5B | 119 BPM | ||
| Sathya Sathvika | Surekha, Shamitha | D Minor | 6 | 7A | 82 BPM | ||
| Jeevan He Devakaarya | Shankar Mahadevan | E♭ Major | 4 | 5B | 113 BPM | ||
| Gan Gan Ganaat Bote | Ajit Kadkade | B♭ Major | 5 | 6B | 135 BPM | ||
| Asa Kasa Devacha Dev | Ragunath Khandalkar | A♭ Major | 4 | 4B | 170 BPM | ||
| Gokulat Nandaghari | Usha Mangeshkar | B♭ Major | 8 | 6B | 91 BPM | ||
| Om Namo Dnyaneshwara | Vishnubuva Wavanjekar | E♭ Minor | 4 | 2A | 104 BPM | ||
| Bhandup Chi Saibhajan Aahe Mazyasobatila | VAIBHAV LAD, Vishal Dinkar | A♭ Major | 7 | 4B | 82 BPM | ||
| Vithal Chiti | Swapnil Bandodkar | B Major | 4 | 1B | 99 BPM | ||
| Swami Samartha Aahe Majala | Dr. Jay Ajgaonkar | A♭ Major | 5 | 4B | 172 BPM | ||
| Runmukti Ganesh Stotra | Shubhangi Jhoshi | D♭ Major | 4 | 3B | 83 BPM |