Shailesh, Parul's ' "Gori Mara Daldama" was released on its scheduled release date, November 1, 2009. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 8 in Chhel Mara Malak No Saybo by Shailesh,Parul. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Gori Mara Daldama is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Gori Mara Daldama by Shailesh, Parul is Lento (slowly), since this song has a tempo of 60 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Yeh Pyar Ki Batein | Mukesh | A♭ Minor | 4 | 1A | 140 BPM | ||
| Sona Nana Chandi | Suresh Wadkar, Savita Parijat | E Major | 5 | 12B | 121 BPM | ||
| Sachche Ka Bolbala | Bappi Lahiri, Mohammed Aziz | A♭ Major | 7 | 4B | 118 BPM | ||
| Gori Maan Bhawan Ke Sang | Ravindra Jain | F Minor | 5 | 4A | 103 BPM | ||
| Man Veena Ke Taar Bole | Brahma Kumaris | F Major | 5 | 7B | 138 BPM | ||
| Rab Mere Araj Sun Meri (From "Aag") | Various Artists, Shailesh, Mukesh | G Minor | 7 | 6A | 173 BPM | ||
| Kannadadha Kuladevi | P. B. Sreenivas | D♭ Major | 3 | 3B | 80 BPM | ||
| Jagi Jyas Koni Nahin | Suman Kalyanpur | F♯ Minor | 1 | 11A | 119 BPM | ||
| Vachana Vida Ke Paath | Hemlata | A Major | 5 | 11B | 150 BPM | ||
| Aaj Hriday Mama Vishal Jhale | Arun Date | E Major | 5 | 12B | 81 BPM | ||
| Aga Ithala | Sudhir Phadke | F♯ Major | 4 | 2B | 94 BPM | ||
| Apna To Zamane Mein | Kishore Kumar | E♭ Major | 2 | 5B | 137 BPM | ||
| Phir Dil Ne Woh Chot Khayee | Kumar Sanu | B♭ Minor | 6 | 3A | 88 BPM | ||
| Thoda Sa Kafan Chehre Se Mere | Bhupinder Singh | B Minor | 6 | 10A | 157 BPM | ||
| Charon Bhrata Vadhuon Ko Sang Leko | Satish Dehra | D♭ Minor | 4 | 12A | 181 BPM | ||
| O Raj Re | Mahendra Kapoor, Usha Mangeshkar | E Major | 6 | 12B | 144 BPM | ||
| Un Urimai Penne | Iniyan Gunasekaran, Shailesh | B Minor | 7 | 10A | 115 BPM | ||
| Dolyamadhale Aansoo Pusati | Sudhir Phadke | F♯ Minor | 2 | 11A | 168 BPM | ||
| Sita Ke Sakal Dekhi | Sharda Sinha | C Minor | 3 | 5A | 99 BPM | ||
| Zimma Nako Phubdi Nako | Shaila Chikhale | A Major | 8 | 11B | 89 BPM | ||
| Kousalya Supraja Rama | P. Susheela | A♭ Major | 2 | 4B | 97 BPM | ||
| Majhya Mukhavar Garbha Chhaya | Lata Mangeshkar | A♭ Minor | 2 | 1A | 126 BPM | ||
| Tumhen Yaad Hoga Kabhi Hum Mile The | Hemant Kumar, Lata Mangeshkar | E Minor | 6 | 9A | 149 BPM | ||
| Sakhi Aye Na Sajanva | Vajid, Shailesh | F♯ Major | 8 | 2B | 139 BPM | ||
| Aankhon Aankhon Mein | Mohammed Aziz, Kavita Krishnamurthy | B♭ Minor | 2 | 3A | 128 BPM |