Mark Chesnutt, George Jones's ' "Talking To Hank" was released on its scheduled release date, January 1, 1992. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Talking To Hank's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Mark Chesnutt's "Longnecks & Short Stories" album is number 8 out of 10. On top of that, United States appears to be the country where this track was created. Based on our statistics, Talking To Hank's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Talking To Hank by Mark Chesnutt, George Jones to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I'm Settin' Fancy Free - Single Version | The Oak Ridge Boys | D Major | 3 | 10B | 115 BPM | ||
| God Blessed Texas | Little Texas | A Major | 8 | 11B | 129 BPM | ||
| Honky-Tonkin' | Gary Stewart | G Major | 6 | 9B | 152 BPM | ||
| White Palace | Clay Walker | E Major | 7 | 12B | 174 BPM | ||
| I'm Gonna Leave You Tomorrow | John Schneider | G Major | 2 | 9B | 97 BPM | ||
| Rumor Has It | Clay Walker | G Major | 7 | 9B | 123 BPM | ||
| The Hustler | Mel McDaniel | A Major | 7 | 11B | 184 BPM | ||
| I Was Country When Country Wasn't Cool - Live At The Roy Acuff Theater Nashville, TN, 1981 | Barbara Mandrell, George Jones | C Major | 4 | 8B | 105 BPM | ||
| Hello L-O-V-E | John Michael Montgomery | B♭ Major | 8 | 6B | 93 BPM | ||
| Lonely At The Top | Jamey Johnson | A Major | 6 | 11B | 117 BPM | ||
| Time off for Bad Behavior | Confederate Railroad | G Major | 8 | 9B | 92 BPM | ||
| Someone Had to Teach You | Wade Hayes | A Major | 5 | 11B | 120 BPM | ||
| Fourteen Minutes Old | Doug Stone | E Major | 5 | 12B | 128 BPM | ||
| I'm Living up to Her Low Expectations | Daryle Singletary | F Major | 7 | 7B | 118 BPM | ||
| Why Can't People Just Get Along | David Lee Murphy | A Major | 5 | 11B | 145 BPM | ||
| Darned If I Don't (Danged If I Do) | Shenandoah | A♭ Major | 8 | 4B | 149 BPM | ||
| Hard To Say | Sawyer Brown | D Major | 7 | 10B | 154 BPM | ||
| High Low And In Between | Mark Wills | E Major | 6 | 12B | 115 BPM | ||
| I Finally Passed the Bar | Michael Peterson | D Major | 7 | 10B | 115 BPM | ||
| I Wish You Could Have Turned My Head (And Left My Heart Alone) | The Oak Ridge Boys | E Major | 5 | 12B | 77 BPM | ||
| Maximum Living On A Minimum Wage | Mel McDaniel | D♭ Major | 7 | 3B | 98 BPM | ||
| Uneasy Rider '88 | The Charlie Daniels Band | C Major | 6 | 8B | 107 BPM | ||
| Boogie Woogie Fiddle Country Blues | The Charlie Daniels Band | C Major | 7 | 8B | 155 BPM | ||
| Live Until I Die | Clay Walker | E♭ Major | 6 | 5B | 133 BPM | ||
| Uptown Downtown (Misery's All The Same) | Mark Chesnutt | B Major | 6 | 1B | 131 BPM |